This volume addresses the important mediaeval dynamic of the competition between those sees from an imperial Romano-Byzantine perspective, that is, from the point of view of how the imperator-basileus and his deputy, the oecumenical patriarch, interpreted scriptural and ecclesiastical tradition, canon law, and Roman political theory to buttress the late Roman and Byzantine vision of imperial vicegerency in the Roman Christian mundus-oikoumene. In so doing, the essay serves as an advantageous foil for the insightfully argued and Roman Catholic-centred perspective of Anastos's close colleague at Dumbarton Oaks, Francis Dvornik, in the latter's study, Byzantium and the Roman Primacy.

Born to rule Although born to rule, Aidan lives as a scribe in a remote Irish monastery on the far, wild edge of Christendom. Secure in work, contemplation, and dreams of the wider world, a miracle bursts into Aidan's quiet life. He is chosen to accompany a small band of monks on a quest to the farthest eastern reaches of the known world, to the fabled city of Byzantium, where they are to present a beautiful and costly hand-illuminated manuscript, the Book of Kells, to the Emperor of all Christendom. Thus begins an expedition by sea and over land, as Aidan becomes, by turns, a warrior and a sailor, a slave and a spy, a Viking and a Saracen, and finally, a man. He sees more of the world than most men of his time, becoming an ambassador to kings and an intimate of Byzantium's fabled Golden Court. And finally this valiant Irish monk faces the greatest trial that can confront any man in any age: commanding his own Destiny.

Offers a new perspective on Byzantine imperial imagery, demonstrating the role foreign styles and iconography played in the visual articulation of imperial power.

Studies the interrelation of sight, touch, and the imagination in ancient and medieval Greek theories of perception and cognition.

This book – the first collection of studies on Byzantine dreams to be published – aims to demonstrate the importance of closely examining dreams in Byzantium in their wider historical and cultural, as well as narrative, context. The remarkable number of dream narratives in Byzantine hagiography, historiography, rhetoric, epistolography, and romance attests to the cardinal function of dreams as vehicles of meaning in politics, religion and literature. The essays provide a broad variety of perspectives, exploring gender, eroticism, Greco-Roman and Islamic influences, psychoanalysis and anthropology.

Weird, decadent, degenerate, racially mixed, superstitious, theocratic, effeminate, and even hyper-literate, Byzantium has long been regarded by many as one big curiosity. According to Voltaire, it represented "a worthless collection of miracles, a disgrace for the human mind"; for Hegel, it was "a disgusting picture of imbecility." A Cabinet of Byzantine Curiosities will churn up these old prejudices, while also stimulating a deeper interest among readers in one of history's most interesting civilizations. Many of the zanier tales and trivia that are collected here revolve around the political and religious life of Byzantium. Thus, stories of saints, relics, and their miracles-from the hilarious to the revolting-abound. Byzantine bureaucracy (whence the adjective "Byzantine"), court scandals, and elaborate penal code are world famous. And what would Byzantium be without its eunuchs, whose ambiguous gender produced odd and risible outcomes in different contexts? The book also contains sections on daily life that are equally eye-opening, including food (from aphrodisiacs to fermented fish sauce), games such as polo and acrobatics, and obnoxious views of foreigners and others (e.g., Germans, Catholics, Arabs, dwarves). But lest we overlook Byzantium's more honorable contributions to civilization, also included are some of the marvels of Byzantine science and technology, from the military (flamethrowers and hand grenades) to the theatrical ("elevator" thrones, roaring mechanical lions) and medical (catheters and cures, some bizarre). This vast assortment of historical anomaly and absurdity sheds vital light on one of history's most obscure and orthodox empires.

This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published— highlight the dynamic dialogue between the rich array of Byzantine styles and the newly forming Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, this illuminating publication provides a unique interpretation of a period that still resonates today.