An examination of the relationship between faith in God and the concept of ecological care within a crisis of biodiversity

Elizabeth Johnson takes the 13 gospel appearances of Mary of Nazareth and creates a rich, deep Marian identity from this complex mosaic. Dangerous Memories is taken from her acclaimed Truly Our Sister: A Theology of Mary in the Communion of Saints (0-8264-1473-7), with the addition of a new introduction and a short annotated bibliography.

After the publication of On the Origin of Species in 1859, theologians were faced with the dilemma of God creating through evolution. Suddenly, pain, suffering, untimely death and extinction appeared to be the very tools of creation, and not a result of the sin of humanity. Despite this paradigm shift, the question of non-human suffering has been largely overlooked within theodicy debates, overwhelmed by the extreme human suffering of the twentieth century. This book redresses this imbalance by offering a rigorous academic treatment of the questions surrounding God and the suffering of non-human animals. Combining theological, philosophical, and biblical perspectives, this book explores the relationship between God and Creation within Christian theology. First it dismantles the popular theological view that roots violence and suffering in the animal kingdom in the fall of humanity. Then, through an exploration of the nature of love, it affirms that there are multiple reasons to suggest that God and creation can both be "good", even with the presence of violence and suffering. This is an innovative exploration of an under-examined subject that encompasses issues of theology, science, morality and human-animal interactions. As such, it will be of keen interest to scholars and academics of religion and science, the philosophy of religion, theodicy, and biblical studies.

This book, first published in 2000, adopts a balanced perspective on the subject to offer a serious examination of both Darwinism and Christianity. He covers a wide range of topics, from the Scopes Monkey Trial to claims about the religious significance of extraterrestrials. He deals with major figures in the current science/religion debate and considers in detail the claims of the new creationism, revealing some surprising parallels between Darwinian materialists and traditional thinkers such as St. Augustine. Michael Ruse argues that, although it is at times difficult for a Darwinian to embrace Christian belief, it is by no means inconceivable. At the same time he suggests ways in which a Christian believer should have no difficulty accepting evolution in general, and Darwinism in particular.

'Since the middle of the twentieth century,' writes Elizabeth Johnson, 'there has been a renaissance of new insights into God in the Christian tradition. On different continents, under pressure from historical events and social conditions, people of faith have glimpsed the living God in fresh ways. It is not that a wholly different God is discovered from the One believed in by previous generations. Christian faith does not believe in a new God but, finding itself in new situations, seeks the presence of God there. Aspects long-forgotten are brought into new relationships with current events, and the depths of divine compassion are appreciated in ways not previously imagined.' This book sets out the fruit of these discoveries. The first chapter describes Johnson's point of departure and the rules of engagement, with each succeeding chapter distilling a discrete idea of God. Featured are transcendental, political, liberation, feminist, black, Hispanic, interreligious, and ecological theologies, ending with the particular Christian idea of the one God as Trinity.

Found Theology is a book about how theology deals with newly-encountered (of 'found') material in time, and about the role of imagination in these encounters. The book is unusual and ground-breaking exercise in the interdisciplinary discussion of theology and the arts. Ben Quash brings together elements of doctrine, scripture, the fine arts and the experiences of everyday life. He looks closely at Christian artistic traditions via a number of case studies that represent a rich source of examples of the way that the new times properly stimulate new expressions of known and loved things. Quash engages closely with some serious and prominent American scholars, namely Peter Ochs, Daniel W. Hardy, C.S. Peirce and David H. Kelsey.