NLN Press proudly presents the newest publication in the Voices series . Here Asian and Asian American health educators discuss the implicati ons of cultural factors in providing health services to Asian and Asia n American communities. They also explore multiple issues concerning A sian American's health: health promotion and disease prevention in eld erly Chinese American women, the implications of Japanese health care, HIV/AIDS in Asian Americans, Buddhist ethics and implications for end -of-life issues, the dilemma in searching for health care, traditional Chinese medicines, Korean women's health, and much more.

While a growing number of popular and scholarly works focus on Asian Americans, most are devoted to the experiences of larger groups such as Chinese, Japanese, Korean, Filipino, and Indian Americans. This book presents discussion of underrepresented groups, including Burmese, Indonesian, Mong, Hmong, Nepalese, Romani, Tibetan, and Thai Americans.

Readers interested in Michigan history, sociology, and Asian American studies will enjoy this volume.

First published in 1978, and winning the Martin Luther King Memorial Prize for that year, Finding a Voice established a new discourse on South Asian women's lives and struggles in Britain. This new edition includes a preface by Meena Kandasamy, some historic photographs, and a remarkable new chapter by young South Asian women.

The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia. Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that were rapidly changing. Nor were they simply the personification of global historical changes. Female entertainers, positioned at the margins of intersecting fields of activities, created something hitherto unknown: they were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior, lifestyles, and morals. They were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry. Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. Led by an impressive introduction written by Weintraub and Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of “voice” in Asian popular music. Historicizing the artistic sounds, lyrical texts, and visual images of female performers, the essays reveal how women used popular music to shape the ideas, practices, and meanings of modernity in various Asian contexts and time frames. The ascendency of women as performers paralleled, and in some cases generated, developments in wider society such as suffrage, social and sexual liberation, women as business entrepreneurs and independent income earners, and particularly as models for new life styles. Women’s voices, mediated through new technologies of film and the phonograph, changed the soundscape of global popular music and resonate today in all spheres of modern life.

A selection of papers presented at the Symposium on English Literature by Asian authors entitled Asian Voices in English held at The University of Hong Kong, 27-30 April 1990. Two kinds of writing experience are focused upon: one is the experience of post-colonial writers, who are re-appropriating the English language for their own cultural purposes. The other is the experience of immigrant writers, who bring an Asian view to bear on the culture of the English-speaking countries in which they live.

The post-Cold War situation has given way to a new and unprecedented constellation of global interrelations. The power constellation today is not only multi-polar, but rather, ‘chaotic’: its configuration keeps shifting and it is determined not simply by new emerging super powers, but also by any seemingly small events in non-linear modes of interaction. The interdependency between communities somehow makes significant changes unpredictable. Such an interdependent, yet chaotic, world order, in turn, raises new philosophical questions. Identity, culture and civilization cannot be understood anymore simply in terms of traditional categories. These categories are called into question through mutual interrogation and mutual enlargement of horizons, and this inevitably entails hybridization and pluralization. The Asian voices included in this book speak of recognition of and respect for the ‘otherness’, the other outside as well as inside. The writers mostly see globalization as well as their own cultural positions through dialogical imagination in which a Western philosophical framework is deployed to find out their Asian positions, and the reverse, the Asian reality is used to problematize the Western framework. Thereby this book attempts to shed light on the question of how we are to understand culture and civilization.