Set in a place and time in Ireland's history which affects the age in which we now live, Ashes of Remembrance continues the story begun in Only the River Runs Free and Of Men and Of Angels. Following the passionate Irish fight for freedom these gripping novels bring the heroism and heartbreak alive for modern readers, showing the roots of the troubles that brought so many Irish to the shores of America-and which continue to plague England and Ireland today. Ashes of Remembrance takes up the story in the fall of 1843 with the marriage of Kate and Joseph. But a conspiracy succeeds in separating them, and Joseph is deported to the new world while Kate must fight the secret enemies who plot to kill her and destroy the village.

Kate Donovan Burke must stand alone against evil landlord when her husband is arrested for treason in 1840s Ireland.

This study argues that the institution of public burial for the war dead and images of the deceased in civic and sacred spaces fundamentally changed how people conceived of military casualties. In a period characterized by war and the threat of civil strife, the nascent democracy claimed the fallen for the city and commemorated them with rituals and images that shaped a civic ideology of struggle and self-sacrifice on behalf of a unified community

The culture of burial and mourning is presently in a state of flux. The idea of using the cremated remains of loved ones to form jewelry no longer belongs to the realm of science fiction but has become a fact of modern life. Today, many countries are open to allowing the ashes of the dead to be turned into ornamental objects. Technically, this produces remembrance artifacts representing the dead. The new aspect is that the mortal remains continue to exist after death in the form of such an artifact, for which previous burial culture has no precedent. How do such "ash diamonds" figure into the mourning process? How do relatives deal with this phenomenon? What is the role of esthetics? How does the social environment react to this "metamorphosis"? And does this represent the renewal of the idea of relics? This book is based on interviews held with persons who decided to go this route of remembering their deceased loved ones. The authors also visited the production facilities of these precious stones, talked with experts about the process, and attended the delivery rituals. In addition to practical, theological, and sociological assessments, the volume includes case studies that provide a forum for those concerned to voice their opinions.

The art of the human image arose millennia ago as a way beyond impermanence and, especially, to keep the dead among us. The pictorial object - the icon - often carried a charge as ritual or ceremonial artifact and, indeed, as a thing with a certain power. The artist Heide Hatry has extended this tradition by creating realistic portraits made out of the actual ashes of the departed person portrayed. Are the results reminiscent of ancient sacred and secular traditions and their complex, even mysterious function to, say, calm, enrich or transform our experience? Icons in Ash includes twenty of Hatry's portraits and twenty-seven contemporary writers who explore this phenomenon in original and engaging meditations on death, the dead body, art, relics, psychology, philosophy, religion, mourning, evolution, transformation, and immortality. Contributors include, among others, Hans Belting, Mark Dery, Eleanor Heartney, Siri Hustvedt, Jonas Mekas, Rick Moody, Mark Pachter, Steven Pinker, Wolf Singer, Luisa Valenzuela, and Peter Weibel. Normal0falsefalsefalseEN-USJAX-NONE

"Steppping Through the Ashes" is a photographic elegy to those who died on September 11, and a portrait of how people are coping in the wake of the terrorist attack on New York. Many photographers have recorded the devastation, but Eugene Richards transcends description to offer instead a way of coming to terms with this tragedy. Interviews with survivors and victims' relatives complement Richards' beautiful and poignant images. It may be the best photo book yet on those hard days. --"Albuquerque Journal" Richards is arguably the most empathetic photographer working when it comes to showing the hard parts of people's lives... Once again, Richards has wrought a personal elegy for those who are just learning to cope with what has happened to them. --"New Yorker"