In As the Wolf Howls at My Door, Brossard takes on the '70s: a time of despair as the dreams and ideals of the '60s were cashed in for political opportunism and crass materialism. America's inglorious exit from Vietnam, the increasingly desperate actions of counterculture protest groups, the rise of repressive CIA operations, the commodification of the American wayall this and more is captured here in Brossard's inimitable style. That style discards realism in favor of a free-form fiction that mixes French surrealism and theatrical absurdity with Beat improvisation and performance art confrontation. Brossard's avalanche of language is outrageous. A kind of verbal delirium possesses the text, which on one level may be the collective fantasy lives of a countercultural group in Paris; on another, the psychotic outpourings of a woman named Decca Aldridge; on yet another, a script by impresario Socks Peelmunder for a guerrilla theater performance; and on the final level, the gamy underside of America's subconsciousa terrifying lava flow of provincial prejudices, racial fears, political paranoia, and sexist attitudes all speaking in tongues in a desperate attempt to bolt the door against the return of the repressed. Not since Naked Lunch has the American dream been assaulted with such ferocious verbal energy.

Gold Mom's Choice Award Winner Creative Child Magazine Book of the Year Award Winner What does it feel like to “see” with your ears like a bat or go through a full body transformation like a frog? Can you wriggle in and out of tight places like an octopus, camouflage yourself like a leopard, or do a waggle dance like a honeybee? This creative and beautifully illustrated interactive guide makes learning about animals fun for children ages 6 and up. Fifteen animals explain their amazing feats and invite kids to enter their world by mimicking their behavior — an imaginative approach to learning that fosters curiosity, empathy, and dramatic play.

A young girl describes what it’s like when her mom’s new friend comes to stay — a moving story about domestic violence that ends on a hopeful note. The young girl tells us that her mom’s new friend is just like the big bad wolf. At first the wolf is sweet and kind to her mom, though the girl notices the wolf’s cold eyes from the very beginning. When her mom arrives home late one day, the wolf suddenly hurls angry words and terrible names at her. From that day on her mother doesn’t smile anymore. The girl is careful to clean her room and brush her teeth and do everything to keep the peace, but the wolf is unpredictable, throwing plates on the floor, yelling at her mother and holding the girl’s arm so tightly she is left with bruises. Whenever the yelling begins, she hides under the covers in her room. How will she and her mom cope as the wolf becomes increasingly fierce? Valérie Fontaine and Nathalie Dion have created a powerful, moving story about violence in the home that ends on a note of hope. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges. CCSS.ELA-LITERACY.RL.2.9 Compare and contrast two or more versions of the same story (e.g., Cinderella stories) by different authors or from different cultures. CCSS.ELA-LITERACY.RL.3.2 Recount stories, including fables, folktales, and myths from diverse cultures; determine the central message, lesson, or moral and explain how it is conveyed through key details in the text.

Grier Taylor is just a lost girl. Abandoned by her parents when she was young, she was raised by the group of shifters who took her in. Now that she’s grown, she can’t help but notice all of the ways that she doesn’t truly belong. On her eighteenth birthday, Grier decides to leave Ash Mountain and the pack. That is until the Alpha comes for her. Slate has been Alpha of his pack ever since his parents were killed by hunters. Lonely and overworked, he wonders if he’ll ever find his fated mate. That’s when he catches her scent. Will this Alpha shifter be able to convince his mate that they’re meant to be and that there’s nowhere that she belongs more than with him and his pack? *Warning: Growling for His Mate is an instalove romance with plenty of heat and over the top alpha love. This shifter book is safe, with no cheating and a HEA that will have you growling for more!

If the twentieth century was the American century, it can be argued that it was more specifically the New York century, and Greenwich Village was the incubator of every important writer, artist, and political movement of the period. From the century's first decade through the era of beatniks and modern art in the 1950s and '60s, Greenwich Village was the destination for rebellious men and women who flocked there from all over the country to fulfill their artistic, political, and personal dreams. It has been called the most significant square mile in American cultural history, for it holds the story of the rise and fall of American socialism, women's suffrage, and the commercialization of the avant-garde. One Villager went so far as to say that "everything started in the Village except Prohibition," and in the 1940s, the young actress Lucille Ball said, "The Village is the greatest place in the world." What other community could claim a spectrum ranging from Henry James to Marlon Brando, from Marcel Duchamp to Bob Dylan, from Gertrude Vanderbilt Whitney to Abbie Hoffman? The story of the Village is, in large part, the stories old Villagers have told new Villagers about former Villagers, and to tell its story is in large part to tell its legends. Republic of Dreams presents the remarkable, outrageous, often interrelated biographies of the giants of American journalism, poetry, drama, radical politics, and art who flocked to the Village for nearly half a century, among them Eugene O'Neill, whose plays were first produced by the Provincetown Players on Macdougal Street, for whom Edna St. Vincent Millay also wrote; Jackson Pollock, who moved to the Village from Wyoming in 1930 and was soon part of the group of 8th Street painters who would revolutionize Western painting; E. E. Cummings, who lived for years on Patchin Place, as did Djuna Barnes; Max Eastman, who edited the groundbreaking literary and political journal The Masses, which introduced Freud to the American public and also published Sherwood Anderson, Amy Lowell, Upton Sinclair, Maksim Gorky, and John Reed's reporting on the Russian Revolution. Republic of Dreams is beautifully researched, outspoken, wise, hip, exuberant, a monumental, definitive history that will endure for decades to come.