As She Likes It is the first attempt to tackle head on the enduring question of how to perform those unruly women at the centre of Shakespeare's comedies. Unique amongst both Shakespearian and feminist studies, As She Likes It asks how gender politics affects the production to the comedies, and how gender is represented, both in the text and on the stage. Penny Gay takes a fascinating look at the way Twelfth Night, The Taming of the Shrew, Much Ado About Nothing, As You Like It and Measure for Measure have been staged over the last half a century, when perceptions of gender roles have undergone massive changes. She also interrogates, rigorously but thoughtfully, the relationship between a male theatrical establishment and a burgeoning feminist approach to performance. As illuminating for practitioners as it will be enjoyable and useful for students, As She Likes It will be critical reading for anyone interested in women's experience of theatre.

CEO-in-training, heiress and cosmetics company marvel Isabel Alfonso needs to hire an assistant. She needs to hire someone who is smart and competent to arrange a trip to Shanghai for her to meet with potential business partners. She needs to learn how to let go of her cosmetics company, her baby, in order to take on the CEO role which she's been groomed for her entire life. What she does not need to hire is a young single dad, last seen with her in bed as a one night stand. Falling for Adam Sevilla is a complication that Isabel doesn't need. And with so much on the line, she can't afford to make any mistakes. Can she really leave everything behind, just to head the family business? Or will she hold on to what she has with zero guarantees?

A STANDALONE REVERSE HAREM NOVEL Cara had always been different - strange, weird, a freak. No one ever understood why - not even Cara. That is, until she realizes that she's destined for so much more. She's the beginner of the apocalypse - the one meant to give the ones in hell worthy of redemption their second chance. And she's got four, sexy, muscular men to stand by her side - to give her strength as she becomes the Goddess of Hell. **if you're looking for a slow-burn PNR RH novel, this book is not going to be for you.**

Twelve-year-old Mattie wrestles with her crush on Gemma as they participate in their school production of Romeo and Juliet in what School Library Journal calls “a fine choice for middle school libraries in need of an accessible LGBTQ stories.” Twelve-year-old Mattie is thrilled when she learns the eighth grade play will be Romeo and Juliet. In particular, she can’t wait to share the stage with Gemma Braithwaite, who has been cast as Juliet. Gemma is brilliant, pretty—and British!—and Mattie starts to see her as more than just a friend. But Mattie has also had an on/off crush on her classmate Elijah since, well, forever. Is it possible to have a crush on both boys AND girls? If that wasn’t enough to deal with, things offstage are beginning to resemble their own Shakespearean drama: the cast is fighting, and the boy playing Romeo may not be up to the challenge of the role. And due to a last-minute emergency, Mattie is asked to step up and take over the leading role—opposite Gemma’s Juliet—just as Mattie’s secret crush starts to become not-so-secret in her group of friends. In this funny, sweet, and clever look at the complicated nature of middle school romance, Mattie learns how to become a lead player in her own life.

In a lyrical story by Mary Murphy, gorgeously illustrated by award-winning artist Zhu Cheng-Liang, a child offers an ode to her favorite things — and people. What I like most in the world is my window. This morning, through my window, I see the postman at the red gate. . . . A little girl observes, one by one, things that give her pleasure — the apricot jam on her toast, the light-up shoes that make her feet bounce, the sparkling river, the pencil whose color comes out like a ribbon. But even after the jar becomes empty, and the shoes grow too small, and the pencil is all used up, one thing will never change. In a tenderly imagined story, Mary Murphy celebrates the intimacy of the bond between mother and child, while Zhu Cheng-Liang’s wonderfully inviting artwork brings the day-to-day details to life.