Eyes were one of the very first body parts to evolve more than 500 million years ago, and their structure has remained virtually unchanged through most of evolutionary history. But eyes alone were never enough for Homo sapiens. From the mastery of fire a million years ago to the smartphone today, humans have repeatedly invented new ways to see their surroundings, each other and themselves. Artificial light, art, mirrors, writing, lenses, printing, photography, film, television, smartphones – these tools didn't just add to our visual repertoire, they shaped cultures around the world and made us who we are. Drawing on sources from anthropology to zoology, neuroscience to Netflix, As Far As the Eye Can See traces the history of seeing from the first evolutionary stirrings of sight and discovers that each time we changed how or what we see, we changed ourselves and the world around us. Along the way, it finds, sight slowly eclipsed our other senses. Are we now at 'peak seeing', the author asks. Can our eyes keep up with technology? Have we gone as far as the eye can see?

Bobby Hale is a Union veteran several times over. After the war, he sets his sights on California, but only makes it to Montana. As he stumbles around the West, from the Wyoming Territory to the Black Hills of the Dakotas, he finds meaning in the people he meets-settlers and native people-and the violent history he both participates in and witnesses. Far as the Eye Can See is the story of life in a place where every minute is an engagement in a kind of war of survival, and how two people-a white man and a mixed-race woman-in the midst of such majesty and violence can manage to find a pathway to their own humanity. Robert Bausch is the distinguished author of a body of work that is lively and varied, but linked by a thoughtfully complicated masculinity and an uncommon empathy. The unique voice of Bobby Hale manages to evoke both Cormac McCarthy and Mark Twain, guiding readers into Indian country and the Plains Wars in a manner both historically true and contemporarily relevant, as thoughts of race and war occupy the national psyche.

Longleaf forests once covered 92 million acres from Texas to Maryland to Florida. These grand old-growth pines were the "alpha tree" of the largest forest ecosystem in North America and have come to define the southern forest. But logging, suppression of fire, destruction by landowners, and a complex web of other factors reduced those forests so that longleaf is now found only on 3 million acres. Fortunately, the stately tree is enjoying a resurgence of interest, and longleaf forests are once again spreading across the South. Blending a compelling narrative by writers Bill Finch, Rhett Johnson, and John C. Hall with Beth Maynor Young's breathtaking photography, Longleaf, Far as the Eye Can See invites readers to experience the astounding beauty and significance of the majestic longleaf ecosystem. The authors explore the interactions of longleaf with other species, the development of longleaf forests prior to human contact, and the influence of the longleaf on southern culture, as well as ongoing efforts to restore these forests. Part natural history, part conservation advocacy, and part cultural exploration, this book highlights the special nature of longleaf forests and proposes ways to conserve and expand them.

Stories carry the seeds of our humanness. They help us, teach us, heal us, and connect us to what matters. As Far As the Heart Can See is an invitation to be in relationship with deep and life-giving material. Many spiritual gurus present dense metaphysical theses with an intellectual approach for "working" a spiritual path; poet and philosopher Mark Nepo reaches people through their hearts, bringing something fresh and new to the field by stimulating change through reflection of thoughts and feelings. The stories he shares in As Far As the Heart Can See come from many places—from Nepo's personal history to dreams to the myths of our ancestors. Each one is an invitation to awaken an aspect of living in relationship with the sacred. Following each of the forty-five stories are three forms of an invitation to further the conversation: journal questions, table questions, and meditations. The questions, whether reflected upon in a journal or discussed in deeper conversation with friends or family, are meant to lead the seeker down unimagined paths and back into life; the meditations are meant to ground the learning. These stories and parables about universal concepts and themes offer a poet's sensuality and a philosopher's sensibility to personalizing the journey of the human experience in the world.

After five months and 2,100 miles, the author emerged from the trail as a man at home in the wilds and at peace with himself. The Book Reader calls this work Evocatively written gems of observation, full of observation, full of native wisdom.

“In his novel of Texas, The Gay Place, Billy Lee Brammer famously wrote that ‘the country is most barbarously large and final.’ And indeed it is. Few artists and writers and photographers are big enough to embrace it. This book is proof that Kenny Braun is one who does, which is great news for the rest of us.” —S. C. Gwynne, from the foreword Texas continually awes and surprises with its natural beauty. Within the state’s quarter-million square miles are scenic landscapes as varied as the rugged desert mountains of the Big Bend country, cypress swamps and old-growth forests in the piney woods, ocean beaches and dunes along the Gulf Coast, and stretches of the Great Plains that spread as widely over the earth as the skies above. Kenny Braun has traveled the length and breadth of Texas photographing its vast lands. In As Far as You Can See, he presents a portfolio of stunning images that capture the natural splendor of the entire state. From sweeping landscape shots to detailed close-ups, Braun’s photographs offer fresh, lovely views of Texas. He has a keen eye for the unexpected scene, whether it be the refreshing depths of the Balmorhea pool in arid West Texas or the Tuscan-like look of a Fredericksburg vineyard. Even when he photographs iconic spots such as Enchanted Rock or Caddo Lake, Braun finds new perspectives that allow viewers to see these familiar places as if for the first time. Accompanying the images are a brief introduction by Braun and a foreword by the Pulitzer Prize finalist and New York Times best-selling author S. C. Gwynne. This winning combination of photographs and words makes As Far as You Can See a must-have book to own and to give.

Homespun humor about the way we live, from the pleasant futility of salmon fishing and the joys of Halloween, to quiet afternoons with soap opera families and endless nights in pursuit of trivia Tom Bodett, humorist, radio star, and pitchman for Motel 6, lives and writes in Homer, Alaska, the little town in the blue Northwest where America stops, carwise. "If you got into your car in New York," he says, "and wanted to take a nice long drive, I mean the longest drive you could without turning around or running into a foreign language, this is where you'd wind up." It's a place of moose and salmon and spectacular sunsets, but, Bodett insists, it's also small-town America, a place not all that different from the Michigan town of his youth. That's why he's made it his home: it perfectly suits his contrary appetites for the extreme and the everyday, for the rigors of the outdoor life and the mundane joys of the family circle. As Far As You Can Go Without a Passport, Bodett's first collection of casual essays, contains pieces on everything from trapping, tree cutting, and halibut fishing, to soap operas, lost socks, and sleeping in. It's guaranteed to please both the renegade and the homebody in every reader.