"No Arts; No Letters; No Society; and which is worst of all, ... the life of man, solitary, poor, nasty, brutish, and short."—Thomas Hobbes (1588–1679) The University of Liverpool pioneered the system, now general among British universities, whereby departments of related disciplines are grouped into "Faculties" with administrative and academic responsibilities and powers. The first Faculty at Liverpool with these commitments was the Arts Faculty, whose initial meeting was held in December 1896. Commemoration of the centenary of the Arts Faculty was marked by the publication of this volume. The book contains reminiscences by former students relating to each decade of the century, and also the reminiscences of a number of former Deans. Essays "informative and critical" have been contributed by recent and present members of staff. They include an account of the buildings occupied by – and in some instances designed for – the Faculty of Arts; a 1950s dialogue by the late Kenneth Muir, the distinguished Shakespeare scholar; and a study of J. M. Mackay, the Highlander who in the 1890s was the prime advocate of a Faculty system. The volume concludes with an essay by Professor Stephen R. L. Clark analyzing the position of Arts today and pointing to the future.

The National Society of Arts and Letters, Pittsburgh Chapter is a non-profit, volunteer organization dedicated to creating opportunities for young artists in art, dance, drama, literature and music. Mrs. Leroy Lewis and Mrs. John Tennant founded the Society in 1966. This collection is divided into competition materials, minutes and topical items.

This collection of seventy-three letters written in 2020 captures an unprecedented moment in politics and society through the experiences of Asian-American artists, curators, educators, art historians, editors, writers, and designers. The form of the letter offers readers intimate insights into the complexities of Asian American experiences, moving beyond the model-minority myth. Chronicling everyday lives, dreams, rage, family histories, and cultural politics, these letters ignite new ways of being, and modes of creating, at a moment of racial reckoning.