From Aagard to Zwara with artists in-between, the authors have detailed the many and varied artists, photographers, sculptors, architects, and craftspeople who inhabited Utah at one time or another. ARTISTS OF UTAH brings the reader up to date on the expanding face of Utah and its native, adopted, and itinerant artists. Hardback; 150 color

Utah Art, Utah Artists surveys 150 years of the extraordinary talent and achievements of Utah artists. This overview ranges from the sublime paintings of a resourceful ranching woman to the polished work of artists trained in Paris, Rome, and New York. It highlights the rural and the cosmopolitan, the traditional and the modern, the concrete and the transcendent that encompass Utah art. This sweeping exhibition showcases 300 works of art by 220 artists painstakingly compiled from a list of 10,000 Utah artists. Selection was made in light of five considerations: quality of the work; critical acclaim and professional success of the artist; belated but deserved recognition of the artist; young emerging artists who are the future of art in Utah; and a representative sampling of periods, styles, mediums and geographic regions of the state. One hundred twenty of the artworks are reproduced in rich color, most illustrated for the first time. Selected works and biographical material on the artists are presented chronologically, providing a perspective on Utah art that will make this volume an essential reference for collectors, scholars, and enthusiasts of Utah art. Vern G. Swanson, Ph.D., has been the director of the Springville Museum of Art since 1980. He has written numerous books and articles and he is coauthor with Drs. R. S. Olpin and W. C. Seifrit of Utah Art, Utah Painting and Sculpture, and Utah Arts. Robert S. Olpin, Ph.D., a University of Utah Professor of Art History, has become a familiar face on his eighteen-part television course on the Art Life in Utah series. He has acted as a consultant to such organizations as the National Gallery and Vose Galleries. Donna L. Poulton, Ph.D., is the Assistant Curator of Exhibitions at the Springville Museum if Art. For the past three years she has been documenting and chronicling, on film, the lives and works of Utah artists. Janie L. Rogers, M.A., wrote her master's thesis on Utah architecture. Rogers is a founding member of the Associated Art Historians, Inc., Salt Lake City.

Vividly illustrated and exhaustively researched and documented, Painters of Utah's Canyons and Deserts weaves a sweeping tapestry of artists' attempts to capture the majesty, rare beauty, and raw danger of Utah's frontier West. A COMPREHENSIVE HISTORY OF ARTISTS WHO PAINTED SOUTHERN UTAH, INCLUDING: Solomon Nunes Carvalho Frederick S. Dellenbaugh John Heber Stansfield William Keith Samuel Coleman Thomas Moran Minerva B. K. Teichert Maynard Dixon LeConte Stewart J. Roman Andrus Birger Sandzén Everett Ruess Georgia O'Keeffe Max Ernst Alfred Lambourne Henry L. A. Culmer Donald Beauregard

10 3/4 X 12 In, 320 Pp, 156 Color Plates 63 Black & White Photographs With Magnificence and Vivid Imagery, This Stunning Revision of Utah Art Traces Utah's Artist and Their Creations From The First European Settlements In 1847 Through The Current Generation. In The 1800's Talented Young Men and Women Were Sent East and To Paris By The Lds Chruch To Study and Bring The Ideas of The Mainstream Art World Back To Utah. The Results Were Fascinating. Today Utah's Visual Artists Magnify This Tradition.

This richly illustrated book celebrates the art of the miniature, but also looks beyond it at the many aspects of "small worlds"--in particular, their capacity to evoke responses that far exceed their physical dimensions. Mack explores the talismanic, religious, or magical properties with which miniatures are often imbued. Considering a wide range of objects, he examines the use of the miniature form in various cultural contexts.

A distinct painting development with regard to the American West's Wasatch Range emerged in the nineteenth century and persists even today. These "painters of the Wasatch" have set many precedents through their artistic interpretations of this mountain subject matter. Painters of the Wasatch Mountains presents for the first time a survey of the gamut of painters who formed and have carried forward an expression of nature's mighty gift to both visitors and residents of Utah. As natural successor to the Hudson River School in the East, the "Wasatch school" persists because of the values we associate with that first of America's art movements-a dedication to place, a careful study, and interpretation of the environment in a spiritual and cultural context. The Painters of the Wasatch are not defined by a particular style or medium but by a physical presence that has unlimited appeal and inspiration. Over 300 artworks are included, from the earliest examples of painting in the nineteenth century to works by Utah's contemporary artists. Also included are brief biographies of each artist, with occasional stylistic analysis. Artists featured in this book include: William Warner Major Frank Ward Kent Dan Weggeland James T. Harwood John W. Clawson Edwin Evans Lee Greene Richards John Tullidge Lawrence Squires Valoy Eaton LeConte Stewart Mahonri Young John H. Stansfield Hal Burrows Waldo Midgley Maynard Dixon Joseph A. F. Everett Francis L. Horspool Alice Merrill Horne Dean Fausett Dennis Phillips Tom Leek Gary E. Smith