"Through the oils of [West Fraser's] mature style ... he has achieved a level of spontaneity in the plein air tradition that captures the essence of the lowcountry." So concludes the essay by Angela D. Mack that leads everyone from connoisseurs to those who simply enjoy the artistic images of the South Carolina lowcountry into a visual feast to stir the senses. The first book of its kind dedicated to the work of this plein air impressionist, Charleston in My Time: The Paintings of West Fraser celebrates the passion and independence West Fraser exhibits in his work, his amazing eye for natural light and landscapes, and his love of Charleston and the lowcountry.

Charleston's greatest contribution to American painting was timely patronage of men of ability. Contents: Historical intro.; Art and artists from the 16th to the mid-18th cent.; Jeremiah Theus, Alexander Gordon, and the mid-18th cent.; Prosperous Pre-Revolutionary years; The Revolutionary years; Federal years; The academic tradition and native talent in the first quarter of the 19th cent.; Fraser, Allston, White, and Cogdell; The South Carolina Acad. of Fine Arts; Sculpture; Theatrical and decorative painters; The silhouettists; Backgrounds; Native talent and visiting strangers; "Female artists" and talented families; The daguerreotype and photography; Pre-war decades; and The war years -- 1861-1865. Illus. This is a print on demand publication.

Inspired by the legendary work of Slim Aarons, a photographic narrative tour of a beautiful, unique, historical city and the remarkable people who live there. Author Ned Brown kicks off the Good Life series with the story about what makes Charleston, South Carolina so desirable to its residents and the five million visitors who seek it out each year. This stunning coffee- table book features photographs by Gately Williams, whose work is regularly featured in Garden & Gun, Coastal Living, and other publications. With his signature ease, Brown profiles more than fifty “interesting Charlestonians, doing interesting things in a beautiful place.” Charleston: A Good Life highlights native Charlestonians and those who have made the southern Holy City their home during the past two decades. Some are wealthy, many not, but all enjoy the richness of a place that has been voted the best small city in the world by Travel + Leisure magazine.

"Here lyes Buried the Body of MARTHA PERONNEAU...Departed This Life December Ye 14th 1746 Aged 13 Years." Such an inscription was typical of 18th century grave markers in Charleston, South Carolina. Many epitaphs went on to reveal much more about the deceased: personality, religious beliefs, career accomplishments and social position. Attention to social matters was a natural part of life in Charleston, where descendants of the city's 17th century British founders sought to recreate the class-conscious culture of aristocratic England. The merging of this culture with influences from French Huguenots, German Lutherans, Scottish Presbyterians and Spanish Jews led to funeral practices unique in the American colonies. Focusing on pieces created between 1695 and 1802, this volume offers a detailed examination of the tombstones and grave markers from 18th century Charleston. It discusses not only the general trends and the symbolism of the period's gravestone art--such as skulls, portraits, ascending souls and stylized vegetation--but also examines specific instances of these popular motifs. Tombstones from Charleston's oldest and most significant churches, including the Circular Congregational Church, St. Philip's Anglican Church, the French Huguenot Church and the First (Scots) Presbyterian Church, are explored in detail. The work looks at how Charleston gravestones differed from funerary art elsewhere in the American colonies and reveals them to be some of the earliest examples of American sculpture. A guide to colonial gravestone symbols and a glossary of relevant Latin terms are also included.

The beauty and spirit of coastal landscapes and waterways captured and celebrated in art Painting the Southern Coast: The Art of West Fraser is a stunning collection of the works of West Fraser, one of the nation's most respected painters of representational art. A mastery of his medium and the scope of work ensure his place in southern art history. A true son of the lowcountry, Fraser has dedicated much of his career to capturing the lush, primordial beauty of the Southeast's coastal regions that have been altered by man and time. The 260 works in this book are representative of the sketches, studies, and finished paintings he has generated over his nearly forty-year career, works that depict coastal locales from Winyah Bay, South Carolina, to St. Augustine, Florida, and include Charleston, Hilton Head, Savannah, and the islands of the lowcountry through the Golden Isles of Georgia. Fraser's goal with each of his paintings is to create a portrait of what he calls "my country." He captures on canvas not only the visual beauty of the landscape, but the spirit and soul of each place. From the sultry streets of Savannah to the winding waterways and unique environs of the region's sea islands, the works included offer a view of the land he loves. Fraser augments his visual tour of the coast with original maps of the region and location coordinates of each painting, enhancing the viewer's knowledge and appreciation of the region as well as Fraser's artistic gift. Painting the Southern Coast: The Art of West Fraser includes essays by Jean Stern, executive director of the Irvine Museum, and Martha R. Severens, Greenville County Museum of Art curator (1992-2010) and authority on southern art. Fraser has also written an autobiographical essay in which he discusses the experiences and influences that have shaped his work and his life as one of America's noted landscape artists.

Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn

Alice Ravenel Huger Smith (1876-1958), a leader of the Charleston Renaissance, immortalized the beauty and history of the Carolina Lowcountry and helped propel the region into an important destination for cultural tourism. A lifelong Charleston resident, she helped spark the city's historic preservation movement, depicted the waning days of rice planting, and captured the mystical spirit of the Lowcountry in luminous watercolors. This beautifully-illustrated volume is a personal account of the artist's life and work that draws on unpublished papers, letters, and interviews. It includes over 200 paintings, prints, sketches, and photographs, many shared for the first time. The most comprehensive book ever made of Alice's work, it is both an important contribution to Southern art scholarship and a gorgeous addition to the bookshelves of art lovers.Published by Evening Post Books in collaboration with the Middleton Place Foundation.