From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.

PURSUING CHRIST. CREATING ART. is written for people who are living in the intersection of the Christian faith, and the creation of art. By their nature, artists look at a life of faith differently, and that unique journey warrants an exploration of what it means to be a Christ-follower and an artist. The book intentionally veers away from tips and techniques and formulas, while concentrating on the journey, the mystery, and the heart.

This striking collection -- presented in full colour -- includes some of the best contemporary Christian art from around the world and offers a moving journey through the life of Jesus. Christian art is a vibrant, inspiring and, above all, living tradition. The collection presented in this beautifully produced book testifies to the mission and talent of numerous artists worldwide. More than a 100 outstanding paintings and sculptures illuminate episodes in the story of Jesus. Short reflections accompany the images, adding to their relevance, enhancing their beauty and strengthening their power.

Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation. This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.

This book contains over 80 paintings of Jesus Christ for the purposes of enjoying and meditating. Painting has always been associated with the life of the Church. From the time of the Catacombs it has been used in ecclesiastical ornamentation, and for centuries after Constantine, religious art was the only form of living art in the Christian world. Its fecundity has been wonderful and even now, although much diminished, is still important. Until the Renaissance, the Church exercised a veritable monopoly over this sphere. Profane painting in Europe dates only from the last five centuries and it took the lead only in the nineteenth century. It may, therefore, be said that throughout the Christian Era the history of painting has been that of religious painting.

Why are we artists? How does God experience art? What is the artist’s calling in relation to God, the church, and the world? Drawing from his experiences performing Mozart, playing “dive bars", and leading worship and the arts in the church, author Manuel Luz seeks to answer the questions that artists often ask. Laced with humorous and sometimes poignant anecdotes, Imagine That is a thought-provoking journey through the convergence of art and faith. Luz has been a working musician, writer, pastor, and even amateur cartoonist for more than 40 years, and in Imagine That he lays out his case for a uniquely Christian approach to the vocation of artist, using theologically rich and artist-friendly language. In the end, Imagine That affirms and equips Christian artists for the special kind of ministry that only they can do.

We all have a responsibility to care for culture. Artist Makoto Fujimura issues a call to cultural stewardship, in which we feed our culture's soul with beauty, creativity, and generosity. This is a book for artists and all "creative catalysts" who understand how much the culture we all share affects human thriving today and shapes the generations to come.