Arthur Symons (1865–1945) was a central figure in the decadent phase of English poetry of the 1890s. His early verse, notably in the major collections Silhouettes (1892; revd 1896) and London Nights (1895; revd 1897), created a sophisticated new kind of urban poetry out of the gas-lit world of London theatre and night-life. Under the French influences of Baudelaire and Verlaine, Symons developed a wistful poetic eroticism new to English readers, leading the way to the modernism of T. S. Eliot and others in the next generation. This selection from Symons’s most fertile period as a poet reproduces the fuller revised editions of Silhouettes and London Nights in their entirety, together with related poems from his other early volumes, Days and Nights (1889), Amoris Victima (1897), Images of Good and Evil (1900), and with early poems collected in Knave of Hearts (1913). p.p1 {margin: 3.0px 0.0px 3.0px 0.0px; text-align: justify; font: 14.0px 'Adobe Garamond Pro'} Fully annotated and supplemented by related critical writings by Symons, Walter Pater, and others, this text offers students of late-Victorian literature a rich resource for the understanding of decadence in the London literary scene of the 1890s. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 7.9px Calibri}

The expression 'the Zola of Sculpture' was coined in the circles of the Royal Academy in the 1880s as a term of abuse. Rodin: 'The Zola of Sculpture' reveals how the appraisal of Rodin in British culture was shaped by controversies around the literary models of Zola and Baudelaire, in a period when negative notions about French culture were being progressively transformed into positive expressions of modern sculpture. Embedded within this collaborative book is the editor's proposition that Rodin came to play an important role in the cultural politics of the Entente Cordiale at a critical juncture of European history. Encompassing new scholarship in several disciplines, drawn from both sides of the Channel, Rodin: 'The Zola of Sculpture' offers the first in-depth account of Rodin's career in Britain in the period 1880-1914 and weaves this historical trajectory into a complex investigation of the interactions between French and British cultures. The authors examine the cultural agencies in which conceptions of Rodin's practice played a defining role, dealing in turn with artists' professional associations, art criticism, private and public collectors and the education of women sculptors.

This is a reissue of a much-admired variorum edition of Yeats's stories. 'This edition, which includes previously unpublished texts, gives a text history, which establishes once and for all the extent to which Yeats's work was modified by editors. Truly definitive. Indispensible for any major collection, including public libraries.' Library Journal

Rosamund Marriott Watson was a gifted poet, an erudite literary and art critic, and a daring beauty whose life illuminates fin-de-siècle London and the way in which literary reputations are made--and lost. A participant in aestheticism and decadence, she wrote six volumes of poems noted for their subtle cadence, diction, and uncanny effects. Linda K. Hughes unfolds a complex life in Graham R.: Rosamund Marriott Watson, Woman of Letters, tracing the poet's development from accomplished ballads and sonnets, to avant-garde urban impressionism and New Woman poetry, to her anticipation of literary modernism. Despite an early first divorce, she won fame writing under a pseudonym, Graham R. Tomson. The influential Andrew Lang announced the arrival of a new poet he assumed to be a man. She was soon hosting a salon attended by Lang, Oscar Wilde, and other 1890s notables. Publishing to widespread praise as Graham R., she exemplified the complex cultural politics of her era. A woman with a man's name and a scandalous past, she was also a graceful beauty who captivated Thomas Hardy and left an impression on his work. At the height of her success she fell in love with writer H. B. Marriott Watson and dared a second divorce. Graham R. combines the stories of a gifted poet, of London literary networks in the 1890s, and of a bold woman whose achievements and scandals turned on her unusual history of marriage and divorce. Her literary history and her uncommon experience reveal the limits and opportunities faced by an unconventional, ambitious, and talented woman at the turn of the century.