A rousing postscript to Lawhead's bardic Pendragon Cycle . . . Playing off snappy contemporary derring-do against the powerful shining glimpses of the historical Arthur he created, Lawhead pulls off a genuinely moving parable of good and evil.'Â Publishers Weekly It has been foretold: In the hour of Britain's greatest need, King Arthur will return to rescue his people. In Portugal, the reprobate King Edward the Ninth has died by his own hand. In England, the British monarchy teeters on the edge of total destruction. And in the Scottish Highlands, a mystical emissary named Mr. Embries-better known as "Merlin"-informs a young captain that he is next in line to the throne. For James Arthur Stuart is not the commoner he has always believed himself to be-he is Arthur, the legendary King of Summer, reborn. But the road to England's salvation is dangerous, with powerful enemies waiting in ambush. For Arthur is not the only one who has returned from the mists of legend. And Merlin's magic is not the only sorcery that has survived the centuries.

The magical saga of the women behind King Arthur's throne. “A monumental reimagining of the Arthurian legends . . . reading it is a deeply moving and at times uncanny experience. . . . An impressive achievement.”—The New York Times Book Review In Marion Zimmer Bradley's masterpiece, we see the tumult and adventures of Camelot's court through the eyes of the women who bolstered the king's rise and schemed for his fall. From their childhoods through the ultimate fulfillment of their destinies, we follow these women and the diverse cast of characters that surrounds them as the great Arthurian epic unfolds stunningly before us. As Morgaine and Gwenhwyfar struggle for control over the fate of Arthur's kingdom, as the Knights of the Round Table take on their infamous quest, as Merlin and Viviane wield their magics for the future of Old Britain, the Isle of Avalon slips further into the impenetrable mists of memory, until the fissure between old and new worlds' and old and new religions' claims its most famous victim.

Avalon is a site of great power, revered since ancient times as an entrance to, and exit from, the Otherworld. Book provides a coherent context in which to understand Avalon's many mysteries, including the * Isle * Tor * Glastonbury Zodiac, * Abbey * Tor Labyrinth * St. Michael ley line The author invokes the magical, spiritual power of the English landscape with a wealth of detailed information encompassing other belief systems and scared sites. He discusses * Physical and sacred topography * Symbols * Architecture * History

For fifteen centuries, legends of King Arthur have enthralled us. Born in the misty past of a Britain under siege, half-remembered events became shrouded in ancient myth and folklore. The resulting tales were told and retold, until over time Arthur, Camelot, Avalon, the Round Table, the Holy Grail, Excalibur, Lancelot, and Guinevere all became instantly recognizable icons. Along the way, Arthur’s life and times were recast in the mold of the hero’s journey: Arthur’s miraculous conception at Tintagel through the magical intercession of his shaman guide, Merlin; the childhood deed of pulling the sword from the stone, through which Arthur was anointed King; the quest for the Holy Grail, the most sacred object in Christendom; the betrayal of Arthur by his wife and champion; and the apocalyptic battle between good and evil ending with Arthur’s journey to the Otherworld. Touching on all of these classic aspects of the Arthur tale, Christopher R. Fee seeks to understand Arthur in terms of comparative mythology as he explores how the Once and Future King remains relevant in our contemporary world. From ancient legend to Monty Python, Arthur: God and Hero in Avalon discusses everything from the very earliest versions of the King Arthur myth to the most recent film and television adaptations, offering insight into why Arthur remains so popular—a hero whose story still speaks so eloquently to universal human needs and anxieties.

A tale of the origins and history of Avalon and the prophecy of the birth of the great King Arthur is revealed through the successive lives of three powerful priestesses--Caillean, Dierna, and Viviane, the Lady of the Lake.

A valon exists. It is a real place with geographical boundaries and a turbulent history. It is the treasure house of Arthurian legend, and the true birthplace of Arthur. It is the secret location in which the identity of an entire nation has lain buried. Until now... Intertwining the mystery and romance of ancient myth with the excitement of modern historical discovery, this book: -- Exposes the rewriting of history and the political intrigue that robbed a people of their heritage and cultural identity.-- Is the first book to establish a viable setting for the Arthurian legacy-- Substantiates its claims with detailed references to original Welsh textual sources, maps and genealogical charts

Kularnava Tantra is perhaps the foremost Tantra of the Kaula School and is constantly cited as an authority in Tantric literature. It is worthy of close study by those who would understand the tenets and practice of the tradition of which it is a Sastra. It calls upon man to wake up to the rare privilege that has been given to him, e.g., human birth in which the being becomes conscious of himself and is offered a choice, a choice between stagnation and rapid progression towards his Godhead. He is asked to purify himself and told how to do it. In unambiguous terms he is told that a wine-drinker is different from the drinkers of ecstasy; the union of delight is between the ascending Shakti and the presiding Lord above, and not between man and woman. The Introduction by Arthur Avalon (Sir John Woodroffe) gives a concise outline of the work. Sri M.P. Pandit, who is a keen student of the Tantras and Vedas, has rendered the work in English in eleven chapters. The Readings are free transla-tions with annotations where necessary, omitting technical details but preserving the spirit and essential import of the original in his characteristically lucid style. The complete text is given in Devanagari after being duly edited by Taranatha Vidyaranya for those who wish to study the book in the original Sanskrit..