A lighthearted and indispensable guide to gracefully side-stepping anyone, by the author of The Art of Mingling Whether you're dodging an overbearing boss, the chatty guy next to you on an overcrowded flight, your least favorite client, your least favorite parent, or anyone else, this lighthearted, indispensable guide will show you how to make a seamless, effective escape. The perfect guide for our over-committed, hectic times, Artful Dodging puts an end to all those feeble excuses no one ever believes. It banishes, once and for all, the notion of an invitation you can't refuse. In an almost Kryptonite-like fashion, it helps to break the vice of social obligation that has so many of us in its grip. Yes, it's true: Artful Dodging can set you free. Topics include: the pros and cons of using a Classic Excuse * mastering the Duck and Cover * using voice mail, Call Waiting, and other telephone techniques * emergency escape tactics * flattery, melodrama, and other dodging diversions * vanishing into thin air * and much more. For everyone who's mastered the art of making friends and now needs to improve at shaking them, Artful Dodging comes to the rescue, with humor, smarts, and a great exit line.

Milo Everhart is waiting out the rain in a pub when she is captivated by the handsome man next to her. Blocking the road to romance are two mysterious corpses who turn up in the tower of her Torpedo Factory Art Center. As if that weren't enough, a second crisis erupts—a proposal to gut her beloved art center. Tristram Brodie, hard-driving lawyer and former Marine, is focused on his plan to convert the Torpedo Factory into a box store. He is drawn to the beautiful Milo, but their mutual attraction will be frustrated by both the murders and his intentions. As they edge closer to love, they must find a way to overcome not only their differences but also the still-fresh memory of her late husband.

In this account of the golden age of children's fiction, Gubar redefines the phenomenon known as the 'cult of the child'. She looks at the works of Lewis Carroll, Frances Hodgson Burnett, and J.M. Barrie, contending that they reject the simplistic 'child of nature' paradigm in favour of one based on the child as an artful collaborator.

How are men represented on the printed page, the stage and the screen? What do these representations say about masculinity in the past, the present, and the future? The twelve essays in this volume explore the different ways in which men and masculinity have been represented, from the plays of William Shakespeare to the science fiction of Richard K. Morgan, passing through classic fiction by Emily Brontë and Charles Dickens, and popular favourites by Terry Pratchett and Isaac Asimov, without forgetting the Star Wars saga. Collectively, these essays argue that, although much has been written about men, it has been done from a perspective that does not see masculinity as a specific feature in need of critical appraisal. Men need to be made aware of how they are represented in order to alter the toxic patriarchal models handed down to them and even break the extant binary gender models. For that, it is important that men distinguish patriarchy from masculinity, as is done here, and form anti-patriarchal alliances with each other and with women. This book is, then, an invitation to men’s liberation from patriarchy by raising an awareness of its crippling constraints.

The Critical Thinking Book covers not only standard topics such as definitions, fallacies, and argument identification, but also other pertinent themes such as consumer choice in a market economy and political choice in a representative democracy. Interesting historical asides are included throughout, as are images, diagrams, and reflective questions. A wealth of exercises is provided, both within the text and on a supplemental website for instructors.