The established cultural sector is facing a paradigm shift. At the center of this change is the demand to do justice to the diversity of the population. The handbook opens up strategies for implementing art practices that are critical of discrimination, and for reaching new dialogue groups. Successes in partnerships with unequal cultural institutions are analyzed, and concrete strategies for action are shown on the basis of eleven documented productions. Starting point are the insights from the artistic practice in Brunnenpassage Vienna, founded in 2007. The handbook sets practice-relevant impulses for cultural workers, artists, and cultural policy-makers.

Wie sind Kunstpraxis und kulturelle Teilhabemöglichkeit an die Kategorie Migration gekoppelt? Dieses Buch steht für den Perspektivenwechsel in der Kulturpolitik, der erforderlich ist, um für breitere Teile der Gesellschaft das Recht auf Zugang zu Kunst und Kultur umzusetzen. Es zeigt Phänomene der Unterrepräsentation sowie innovative gesellschaftliche Handlungswege auf und veranschaulicht, wie transkulturelle Kunstpraxis möglich wird und wie Kunstproduktionen, die der Vielheit der Bevölkerung entsprechen, im Konkreten organisiert werden können. Als Ausgangspunkt der Expertise dienen die Erkenntnisse aus der Praxis, die im Wiener 'KunstSozialRaum Brunnenpassage', einem Labor und Praxisort transkultureller und partizipativer Kunstprozesse, seit Gründung 2007 gewonnen wurden.

Wie lässt sich eine Kunstgeschichte denken, die prozessuale, performative und transkulturelle Wanderungsbewegungen ins Zentrum ihrer theoretischen und methodischen Analysen rückt? Mit Beiträgen international ausgewiesener Experten gibt das Handbuch erstmals Antworten darauf, welche Konsequenzen das Zusammenwirken von Migration und Globalisierung für die kunstwissenschaftliche Forschung, die kuratorische Praxis sowie die künstlerische Produktion und Theorie hat. Ziel der vielstimmigen Anthologie ist es, einen interdisziplinären Diskurs zum „migratory turn" in der Kunstgeschichte zu eröffnen.

This collection offers a response to the view that migration disrupts national heritage. Investigating the mediation provided by migrant art, it asks how we can rethink art history in a way that uproots its reliance on space and place as stable definitions of style. Beginning with an invaluable overview of migration studies terminology and concepts, Art and migration opens dialogues between academics of art history and migrations studies through a series of essays and interviews. It also re-evaluates the cultural understanding of borders and revisits the contours of the art world – a supposedly globalised community re-assessed here as structurally bordered by art market dynamics, career constraints, gatekeeping and patronage networks.

This book addresses a topic of increasing importance to artists, art historians and scholars of cultural studies, migration studies and international relations: migration as a profoundly transforming force that has remodelled artistic and art institutional practices across the world. It explores contemporary art’s critical engagement with migration and globalisation as a key source for improving our understanding of how these processes transform identities, cultures, institutions and geopolitics. The author explores three interwoven issues of enduring interest: identity and belonging, institutional visibility and recognition of migrant artists, and the interrelations between aesthetics and politics, including the balancing of aesthetics, politics and ethics in representations of forced migration.

This volume studies the movements of visual artists from the Baltic States of Lithuania, Latvia, and Estonia, where a lack of opportunities makes migration necessary for career progression. Faced with such barriers, how do artists from the Baltic States break into the global art market? Emma Duester argues that these artists form an artistic diaspora of practice, forming communities across geographic and ethnic borders. Offering a fresh perspective on art and the working lives of those who create it, this multidisciplinary work investigates patterns of migration and mobile working practices across Europe and discusses the implications of artists' movements on conventional notions of home, mobility, and diaspora. Amid a global refugee crisis, a resurgence in negative portrayals of Eastern Europeans in mainstream media, and increasing anti-immigrant sentiment fueled by Brexit and the rise of protectionism, this is a vital work that shines important new light on diaspora, displacement, and what it means to belong.

Insightful and interdisciplinary, this book considers the movement of people around the world and how contemporary artists contribute to our understanding of it In this timely volume, artists and thinkers join in conversation around the topic of global migration, examining both its cultural impact and the culture of migration itself. Individual voices shed light on the societal transformations related to migration and its representation in 21st-century art, offering diverse points of entry into this massive phenomenon and its many manifestations. The featured artworks range from painting, sculpture, and photography to installation, video, and sound art, and their makers--including Isaac Julien, Richard Mosse, Reena Saini Kallat, Yinka Shonibare MBE, and Do Ho Suh, among many others--hail from around the world. Texts by experts in political science, Latin American studies, and human rights, as well as contemporary art, expand upon the political, economic, and social contexts of migration and its representation. The book also includes three conversations in which artists discuss the complexity of making work about migration. Amid worldwide tensions surrounding refugee crises and border security, this publication provides a nuanced interpretation of the current cultural moment. Intertwining themes of memory, home, activism, and more, When Home Won't Let You Stay meditates on how art both shapes and is shaped by the public discourse on migration.