From the late nineteenth to the early twentieth century, Japan was a vital world center for postcard art. Art of the Japanese Postcard presents 300 full-color examples of these cards, culled from the vast Leonard A. Lauder Collection. Authoritative essays by leading scholars of Japanese art and culture, plus a statement by the collector himself, highlight the design, development, and cultural function of these rarely studied, but highly influential and visually exciting, expressions of graphic genius. From the late nineteenth to the early twentieth century, Japan was a vital world centre for postcard art. More than just casual mail pieces, these postcards were often designed by prominent artists and had a visual impact that belied their modest format. Remarkably beautiful examples of graphic design in their own right, they also recorded the shifting definitions of 'East' and 'West' at a time when such European currents as Art Nouveau began to show up in Japanese visual productions. Art of the Japanese Postcard presents 350 full-color examples of these cards, culled from the vast Leonard A. Lauder Collection. printing, but also for the insight they provide into contemporary Japanese artistic practices - insights not relayed in standard histories that focus on painting and sculpture - as well as for the fluid interplay of European and Japanese modes. Authoritative essays by leading scholars of Japanese art and culture, plus a statement by the collector himself, highlight the design, development, and cultural function of these rarely studied, but highly influential and visually exciting, expressions of graphic genius.

This is a step-by-step guide to creating Etegami, a Japanese postcard art that combines simple hand-painted images with handwritten words on washi postcards. The book is divided into 22 brief chapters that lead the reader through the origins, the materials, the process, and the possibilities of the art of Etegami. It includes links to online suppliers of etegami materials and tools. Please take note of the dimensions and be warned that it is a very SMALL book (60 pages), but it is packed to the gills with content.

"Published in conjunction with the exhibition ... organized by the Museum of Fine Arts, Boston, from March 10 to June 6, 2004"--T.p. verso.

Colour it in psychedelic colours, in tasteful tones, in all shades of orange! But just colour it! Recapture the purest sense of creativity by colouring in the most beautiful figurative designs – flowers, birds, butterflies – provided by a leading textile designer. By adding the key ingredient of colour you add your own spark of creativity to great designs. The design team, who work closely with Tate Modern in London, provide 24 postcards with six different designs to choose from. You can experiment with the colour combinations, using crayons, pencils, felt/fibre tip pens, and even paint on these uncoated postcards. A brief introduction gives some tips on using colours and suggests colour combinations to use on the specific designs, but you are encouraged to let your own creativity get to work! Great fun for all those looking for a burst of creative expression and useful for designers of all types who want to experiment with colour. The cards can be kept together in the book or detached, framed or posted to a friend.

Exquisite depictions of romantically idealized landscapes from woodcut master's superb Fifty-three Stages on the Tokaido. Reproduced from the Collection of the Elvehjem Museum of Art. Includes The Bridge on the Toyo River, The Ferryboat at Rokugo, The Junction of the Pilgrims' Road and Mt. Fuji in the Morning from Hara.

This book provides a unique view of the development of military and commercial aviation in Japan from the pioneering years before World War I to the end of World War II. There are comparatively few books in English that illustrate aviation in Japan in the years before World War II. This is the first book to make extensive use of Japanese aviation postcards to show how aviation in Japan grew from a dependence on foreign aircraft designs and engineers in the early years to an independent industry that produced world-class airplanes. The book uses more than 250 postcards to trace the history of Imperial Japanese Army and Navy aviation, and commercial aviation, during this thirty-five year period. Each of the book's four chapters begins with a narrative survey of key developments during the period covered. The postcards, some in color and some in black and white, show both military and commercial airplanes, many famous and some less so. Of particular interest to those interested in Japanese military aviation in World War II will be a number of postcards of wartime propaganda art.