This book is an overview of book folding with instructions on how to recycle books into folded book sculptures. It covers types of books for folding, types of patterns, and methods and variations in book folding. The key section will take a novice book folder from the first flat sheet of a book to a stunning folded heart with a paw print inside.

A guide to repurposing used books and pages into unique, accessible art projects—the perfect gift for artists, crafters and book lovers. In these pages, Jason Thompson has curated an extensive and artistic range of both achievable upcycled crafts made from books and book pages and an amazing gallery that contains thought-provoking and beautiful works that transform books into art. The content encompasses a wide range of techniques and step-by-step projects that deconstruct and rebuild books and their parts into unique, recycled objects. The book combines in equal measure bookbinding, woodworking, paper crafting, origami, and textile and decorative arts techniques, along with a healthy dose of experimentation and fun. The beautiful high-end presentation and stunning photography make this book a delightful, must-have volume for any book-loving artist or art-loving book collector.

Recycling Virginia Woolf in Contemporary Art and Literature exam>ines Woolf’s life and oeuvre from the perspective of recycling and pro>vides answers to essential questions such as: Why do artists and writers recycle Woolf’s texts and introduce them into new circuits of meaning? Why do they perpetuate her iconic fgure in literature, art and popular culture? What does this practice of recycling tell us about the endurance of her oeuvre on the current literary, artistic and cultural scene and what does it tell us about our current modes of production and consumption of art and literature? This volume offers theoretical defnitions of the concept of recycling applied to a multitude of specifc case studies. The reasons why Woolf’s work and authorial fgure lend themselves so well to the notion of recy>cling are manifold: frst, Woolf was a recycler herself and had a personal theory and practice of recycling; second, her work continues to be a prolifc compost that is used in various ways by contemporary writers and artists; fnally, since Woolf has left the original literary sphere to permeate popular culture, the limits of what has been recycled have ex>panded in unexpected ways. These essays explore today’s trends of fab>ricating new, original artefacts with Woolf’s work, which thus remains completely relevant to our contemporary needs and beliefs

A beautiful non-fiction book which aims to inspire children to think about art made from recycled material. In the early 1900s the way art was created changed. Pablo Picasso used cardboard instead of paint. Marcel Duchamp called a bicycle wheel art and Raoul Hausemann made a sculpture out of an old shopkeeper's dummy. Instead of using traditional materials such as paint, more and more artists started using found materials like newspapers, old photographs and bits of furniture. And they are still doing it today. Find out how these artists, using found materials, changed the art world. Be inspired to create your own masterpieces!

Inspirational ideas for art and design using reclaimed materials.

Recycling Virginia Woolf in Contemporary Art and Literature exam>ines Woolf’s life and oeuvre from the perspective of recycling and pro>vides answers to essential questions such as: Why do artists and writers recycle Woolf’s texts and introduce them into new circuits of meaning? Why do they perpetuate her iconic fgure in literature, art and popular culture? What does this practice of recycling tell us about the endurance of her oeuvre on the current literary, artistic and cultural scene and what does it tell us about our current modes of production and consumption of art and literature? This volume offers theoretical defnitions of the concept of recycling applied to a multitude of specifc case studies. The reasons why Woolf’s work and authorial fgure lend themselves so well to the notion of recy>cling are manifold: frst, Woolf was a recycler herself and had a personal theory and practice of recycling; second, her work continues to be a prolifc compost that is used in various ways by contemporary writers and artists; fnally, since Woolf has left the original literary sphere to permeate popular culture, the limits of what has been recycled have ex>panded in unexpected ways. These essays explore today’s trends of fab>ricating new, original artefacts with Woolf’s work, which thus remains completely relevant to our contemporary needs and beliefs

This photographic book documents a delightful collection of handmade miniature vehicles, boats and planes made from discarded and recycled material in Africa and purchased in at least 20 different countries between 1985 and 2003. They range from rudimentary to amazingly sophisticated. The collection has educational, cultural and environmental aspects, and the pieces showcase the imagination and ingenuity of African children and craftsmen. Author and collector Jude Andreasen spent eight years working and living in African countries. Cleve Overton has traveled the continent with Ms. Andreasen from the Cape to Cairo.