The second, updated edition of Indian Heritage, Art and Culture by Madhukar Kumar Bhagat is presented in an all new, color format to enhance the visual pleasure of reading. The rich tapestry of India's cultural achievements, presented in a chronological order (Ancient, Medieval and Modern) would be of immense help for aspirants of the UPSC and state Public Service Commission examinations and for general readers. How will this book help you? - Easy and structured plan on how to approach the topic for the Preliminary and Main examinations - Events, topics and issues arranged in a chronological order (Ancient, Medieval and Modern India) - Important topics to focus at the end of each chapter - Practice questions for Preliminary and Main examinations - Colourful supportive illustrations Highlights - Indian Heritage, Art and Culture: How to Approach - Indus Valley Civilization and Harappan Culture - Hinduism - Buddhism - Temples and Architecture in Ancient and Medieval India - Bhakti Movement and Sufism - Medieval Age Architecture: Palaces, Forts etc. - Medieval India: Other Art Forms - Medieval India: Literature - Medieval India: Music - Socio-Religious Reforms and Reformers - Modern India: Paintings - Modern India: Music - Modern India: Dances - Modern India: Languages and Literature - Modern India: Architecture - Indian Theatre and Cinema - Cultural Heritage and UNESCO

Art and Culture of India: Useful for UPSC Civil Services and State Public Service Commission and other competitive examinations Meant for aspirants of UPSC & State PSC Civil Services Preliminary and Main Examination, this book covers the syllabus of Indian Art, Heritage and Culture for General Studies Paper I. A wide ranged knowledge base of the Indian, Art, paintings, music, dance and architecture has been presented which will arouse the reader’s interest and help students to prepare for the examinations. Indian Art, Culture, Heritage and Architecture for UPSC Civil services examination. Art and Culture of India Book Indian Art & Culture Must Read Notes/Book UPSC IAS Prelims Exam 2020: General Studies Paper-I State PSC Prelims and Mains Exam Art & Culture Notes #artandculture #artandcultureindia #indianartandculture #upsciasexam #upscprelims #statepscexam #exampreparation #bookforgk #generalstudies #generalknowledge #heritageofindia #indianarchitecture #prelimsbook #iasprelimsexamnotes #civilservicesexam2020 #nitinsinghaniabook

- Offers fresh insights into the rich aesthetic and cultural legacy of the Imperial Mughal age in the Indian subcontinent - Essays by 13 eminent international scholars draw comparisons between the Mughals, the Safavids and the Ottomans - Over 159 images of Mughal artifacts, paintings, gardens and monuments illustrate the lasting heritage of the Imperial Mughals Enter the splendid world of Mughal India and explore its rich aesthetic and cultural legacy through fresh insights offered by 13 eminent scholars. Recent scholarship in this field has offered deeper analysis into established norms, explored pan-Indian connections and drawn comparisons with contemporaneous regions of the early modern world. Further studies along these lines were encouraged in a seminar held by the K.R. Cama Oriental Institute, Mumbai, and the formidable scholarship presented by contributors forms the content of this volume. The articles in this book explore varied subjects under the Mughal umbrella, challenge long-held ideas and draw comparisons between the artistic expressions and material culture of the powerful Islamicate triumvirate of the early modern period - the Safavids in Iran, the European-based Ottomans and the Mughals in the Indian subcontinent. Themes as diverse as portraits of royal women, sub-imperial patronage of temples, word-image relationship, the lapidary arts and the Imperial Library of the Mughals, a reconsideration of Mughal garden typologies, murals painted on architectural surfaces, the textile culture of the city of Burhanpur, changes in visual language and content of painting, and Imperial objets d'art have been discussed, challenged and analyzed. The final three articles are groundbreaking comparisons across Ottoman, Safavid and Mughal spheres. This beautifully illustrated book is sure to appeal to c

The book 'Indian Culture, Art and Heritage' is collection of vast details of the Indian culture most prominent through ages, art in various facets and historical monuments including World Heritage Sites. The book has basic details about the relevant topics for UPSC examination and pictorial presentations make it interesting and easy. Yet, it provides comprehensice material for thinkers and academicians. I am sure that the book will be very useful for condidates appearing in UPSC Civil Services E

A selection of 333 works of art representing masterpieces of the sacred and court traditions as well as their urban, folk, and tribal heritage.

Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture, film, and photography—in the years between independence and 1980, by which time the Indian art scene had changed significantly and postcolonial discourse had begun to complicate mid-century ideas of nationalism. Through close analyses of specific objects of art and design, Brown describes how Indian artists engaged with questions of authenticity, iconicity, narrative, urbanization, and science and technology. She explains how the filmmaker Satyajit Ray presented the rural Indian village as a socially complex space rather than as the idealized site of “authentic India” in his acclaimed Apu Trilogy, how the painter Bhupen Khakhar reworked Indian folk idioms and borrowed iconic images from calendar prints in his paintings of urban dwellers, and how Indian architects developed a revivalist style of bold architectural gestures anchored in India’s past as they planned the Ashok Hotel and the Vigyan Bhavan Conference Center, both in New Delhi. Discussing these and other works of art and design, Brown chronicles the mid-twentieth-century trajectory of India’s modern visual culture.