'An impressive debut, expertly researched and compelling narrated' - Patricia O'Reilly (The First Rose of Tralee)Love, art, and obsession, set between Nazi occupied Paris and rural Ireland. As the Germans advance on Paris in 1940, a young Jewish girl, Sylvie Vasseur, is sent by her father to rural Ireland to live with the Courtney family. He also sends his valuable art collection - including a portrait of Sylvie by the renowned Mateus, Girl on a Swing. Sylvia is seduced by the narcissistic elder son Nicholas Courtney when she is eighteen, but he abandons her when he discovers she is pregnant. To avoid the inevitable social stigma, Sylvie marries his brother Peter. In Dublin, she becomes involved in the art scene, achieving critical acclaim as a painter. But, trapped in a loveless marriage, she continues to be obsessed with Nicholas. Until, unexpectedly, secrets from her father's past emerge, leading her to question everything she once believed. Shortly after, she is found drowned on a Wexford beach. Seventeen years later, Claire Howard, struggling art historian, is hired by the Courtney family to record Sylvie's lifeworks. Fascinated by the artist and working with Sylvie's son Sam, Claire travels between Dublin and Paris, eventually unravelling a labyrinth of deceit and lies that threaten to endanger her life.

Bestselling author Gill Paul returns with a brilliant novel about Lady Evelyn Herbert, the woman who took the very first step into the tomb of Pharaoh Tutankhamun, and who lived in the real Downton Abbey, Highclere Castle, and the long after-effects of the Curse of Pharaohs. Lady Evelyn Herbert was the daughter of the Earl of Carnarvon, brought up in stunning Highclere Castle. Popular and pretty, she seemed destined for a prestigious marriage, but she had other ideas. Instead, she left behind the world of society balls and chaperones to travel to the Egyptian desert, where she hoped to become a lady archaeologist, working alongside her father and Howard Carter in the hunt for an undisturbed tomb. In November 1922, their dreams came true when they discovered the burial place of Tutankhamun, packed full of gold and unimaginable riches, and she was the first person to crawl inside for three thousand years. She called it the “greatest moment” of her life—but soon afterwards everything changed, with a string of tragedies that left her world a darker, sadder place. Newspapers claimed it was “the curse of Tutankhamun,” but Howard Carter said no rational person would entertain such nonsense. Yet fifty years later, when an Egyptian academic came asking questions about what really happened in the tomb, it unleashed a new chain of events that seemed to threaten the happiness Eve had finally found.

"In 1944, shipping magnate Sir William Burrell and his wife Constance bequeathed a remarkable collection of over 8,000 objects to the city of Glasgow, now dislayed in the Burrell Collection in the south of Glasgow. Little is known about Burrell's personal life, as he was a very private man, and it will surprise many to know that he had a daughter. This memoir is a fascinating insight into the lives of the gentry of the time, and into the life of a remarkable woman whose story is now told for the first time".

Art Workshop for Children is not just another book of straightforward art projects. The book's unique child-led approach provides a framework for cultivating creative thinking and encourages the wonder that comes when children are allowed to freely explore the creative process and their materials. As children work through these open-ended workshops, adults are guided on how to be facilitators who provide questions, encourage deep thinking, and help spark an excitement for discovery. Children explore basic materials and workshops that use minimal supplies, and then gradually add new materials to fill the art cabinets as well as new skills and more complex workshops. Most workshops are suitable to preschool-aged children, and each contains ideas for explorations and new twists to engage older or more experienced artists. Interspersed throughout are sidebar essays that introduce perspectives on mess-making, imperfection, the role of adult, collaborative art, and thoughts on the Reggio Emilia method, a self-guided teaching philosophy. These pieces underscore the value of art-making with children, and support the parent/teacher/care-giver on how to successfully lead, question, and navigate their children through the workshops to result in the fullest experiences.

A comprehensive exploration and chronicle of Picasso's depictions of his eldest daughter, Maya, and the relationship between father and child. In 2016 and 2017, Diana Widmaier-Picasso curated two exhibitions for Gagosian: the first gathered works from the collection of her mother, Maya Ruiz-Picasso, Pablo Picasso's beloved eldest daughter; and the second commemorated the relationship between Picasso and Maya. More than just a catalog of these two exhibitions, this book is a comprehensive reference publication that explores the figure of Maya throughout Picasso's work and chronicles the relationship between the artist and his daughter. The volume features an intimate interview between Ruiz-Picasso and Widmaier-Picasso, along with archival photographs by Edward Quinn and from the Picasso family, many of which have never been published before. New scholarly essays complete the publication, with contributions by distinguished Picasso scholars such as Elizabeth Cowling, Carmen Giménez, and Pepe Karmel. A section of the book is devoted to Picasso's plaster sculpture La Femme Enceinte (1959) and includes a discussion of Roe Ethridge's vivid, specially commissioned photographs of this work.

The inside story of the legendary actor's 65-year career — from radio to classic movies and horror films to Broadway — and his family life. "Entertaining and touching." — The New York Times.