Two abundantly illustrated volumes offer a vibrant discussion of how the divine is and has been represented in art and architecture the world over. Beginning with the ancient worlds of Mesopotamia, Egypt, Greece, and Rome and moving forward through time, Art and Architecture of the World's Religions explores the major faiths from countries and continents around the globe, helping readers better understand the creations their beliefs have inspired. After tracing the history and development of a religion, the book provides a general overview of its principal beliefs and key practices. It then offers specific examples of how works of art/architecture reflect that religion's values. The focus of each chapter is on the temples, churches, and religious buildings, statues, paintings, and other works of art and architecture created by believers. Each representative work of art or architecture is examined in terms of its history, materials, symbols, colors, and patterns, as its significance is explained to the reader. With extensive illustrations, these volumes are the definitive reference work on art and architecture of the world's religions.

Two abundantly illustrated volumes offer a vibrant discussion of how the divine is and has been represented in art and architecture the world over. Beginning with the ancient worlds of Mesopotamia, Egypt, Greece, and Rome and moving forward through time, Art and Architecture of the World's Religions explores the major faiths from countries and continents around the globe, helping readers better understand the creations their beliefs have inspired. After tracing the history and development of a religion, the book provides a general overview of its principal beliefs and key practices. It then offers specific examples of how works of art/architecture reflect that religion's values. The focus of each chapter is on the temples, churches, and religious buildings, statues, paintings, and other works of art and architecture created by believers. Each representative work of art or architecture is examined in terms of its history, materials, symbols, colors, and patterns, as its significance is explained to the reader. With extensive illustrations, these volumes are the definitive reference work on art and architecture of the world's religions. 200 illustrations, including floor plans of churches, synagogues, and temples bring the discussions of art and architecture to life An extensive bibliography enables further research

Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.

This volumes consists of selected papers from the 2004 conference of the Australasian Society for Inner Asian Studies. The papers cover topics relating to Ancient Chorasmia, Sogdia and China, Buddhist and Manichaean art, Middle Iranian manuscripts and Buddhist manuscripts from Afghanistan, Nestorian Christianity and contemporary Islam, Silk Road clowns and headcoverings of Central Asia. The collection highlights the range and depth of Australasian scholarship on Inner Asia and demonstrates that there are still many unexplored aspects of Silk Road Studies. Table of Contents: Part 1: Chorasmia, Sogdia and Uzbekistan: Alison V.G. Betts and V.N. Yagodin, Tash-k'irman-tepe Cult Complex: An Hypothesis for the Establishment of Fire Temples in Ancient Chorasmia - Dee Court, The Ordinary and the Extraordinary in Central Asian Headcoverings - Fiona Kidd, The Early Medieval Necropolis at Pap in the Ferghana Valley (Republic of Uzbekistan) - Michelle Negus-Cleary, Walls in the Desert: The Phenomenon of Central Asian Urbanism in the Kingdom of Ancient Chorasmia. Part 2: Christianity and Manichaeism: Samuel Lieu, Manichaean Art and Architecture Along the Silk Road - Vladimir Li?ak, Early Chinese Christianity in the Tang Empire: On the Crossroad of Two Cultures - Geoff Watson, The Ultimate Evangelical Away Game: British Missionary Endeavour in Central Asia c. 1830-1930. Part 3: Buddhism and Islam: Mark Allon, Recent Discoveries of Buddhist Manuscripts from Afghanistan and Pakistan and their Significance - Ken Parry, The Buddha as Colossus in Central Asia and China - Colin Mackerras, Religion in Contemporary Xinjiang. Part 4: Silk Road Exchanges: Holly Adams, Clowns on the Silk Road - Peter Edwell, Palmyrene Art, Architecture and Religion on the Euphrates: The Early Evidence for a Palmyrene Community at Dura Europos.

This reference offers reliable knowledge about women's diverse faith practices throughout history and prehistory, and across cultures. Across the span of human history, women have participated in world-building and life-sustaining cultural creativity, making enormous contributions to religion and spirituality. In the contemporary period, women have achieved greater equality, with more educational opportunities, female role models in public life, and opportunities for religious expression than ever before. Contemporaneously with this increased visibility, women are actively and energetically engaging with religion for themselves and for their communities. Drawing on the expertise of a range of scholars, this reference chronicles the religious experiences of women across time and cultures. The book includes sections on major religions as well as on spirituality, African religions, prehistoric religions, and other broad topics. Each section begins with an introduction, followed by reference entries on specialized subjects along with excerpts from primary source documents. The entries provide numerous suggestions for further reading, and the book closes with a detailed bibliography.

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)