This volume adopts a multidisciplinary approach with contributions from archaeologists, linguists, an architect and lawyers to the many challenges This comprehensive volume on Afghanistan's cultural heritage with contributions from archaeologists, linguist and lawyers, dealing with the many issues involved in its protection, provides an insiders' reassessment of the situation and well-considered lessons for the future.

First published in 1978, this was the first book in English to provide a complete survey of the immensely rich archaeological remains of Afghanistan. It has now been thoroughly revised and brought up to date to incorporate the latest discoveries and research.

Ferozkoh: Tradition and Continuity in Afghan Art represents a partnership between the Museum of Islamic Art, Doha and the students and teachers of the Institute for Afghan Arts and Architecture in Kabul. The unifying theme of the exhibition is the preservation of the traditional arts of the Islamic world - in both themes and materials - in the modern world, and the role of education in its transmission and translation. Half of the objects featured in the exhibition are historical objectsmasterpieces from the Museum of Islamic Art's collection, from four great dynasties with connections to Afghanistan: the Ghaznavids, Timurids, Mughals and Safavids.The other half of the exhibition presents works created specifically for the exhibition by Turquoise Mountain students in response to, and in conversation with, the historical objects. Featuring exquisite photography and unique research, this catalogue is a visually stunning representation of the exhibition and a valuable record of an extraordinary endeavour.

Art through the Ages in Afghanistan, written in two volumes is a major work. It is the product of many years of research, including frequents visits to Kabul Museum and important archeological sites in Afghanistan, as well as visits to major museums in Europe and America housing important artifacts from Afghanistan. In completing his work Hamid Naweed has also made use of numerous interviews with Afghan and international scholars, local artist and local people living in the vicinity of historical sites. The second volume covering the art of Afghanistan from the advent of Islam through present time is expected to be published shortly after the publication of the first volume.

As war raged across the jagged Afghan countryside, the staff of the Afghan National Museum spirited away, piece by piece, to hiding places all over the Kabul region, each time risking their lives, sworn to silence, it was a secret they kept until the fall of the Taliban--almost thirty years of deadly danger, courage, and fierce honor.

The archaeology and architecture of Afghanistan

Afghanistan, standing at the crossroads of major trade routes, has a long and complex history. Its rich cultural heritage bears the imprint of many traditions, from Greece and Iran to the nomadic world of the Eurasian steppes and China. The essays in this volume concentrate on periods of great artistic development: the Bactrian Bronze Age and the eras following the conquests of Alexander the Great, with a special focus on the sites of Ai Khanum, Begram, and Tillya Tepe. These contributions -- in response to the reappearance of the magnificent hidden treasures from Afghanistan and their exhibition -- have shed new light on the significance of these works and have reinvigorated the discussion of the arts and culture of Central Asia. -- Publisher description.