A flurry of activity takes over the Intensive Care Unit as medical staff go about their tasks preparing the room for a critically ill patient. The doors of the ICU burst open and a gurney is pushed to the side of the bed. Doctors and nurses take their positions either side of the gurney and expertly transfer the patient to the bed. Fortunately, Arnold Leadbetter is unaware of what is going on, his comatose state shielding him from the circumstances that he now finds himself in. Unfortunately, not every disease is curable and Arnold’s prognosis is a life hooked up to a Life Support machine, his body paralysed and in a coma. A decision is made to switch off the machine. In this comedy horror, that could be described as “An American Werewolf In London” meets “Weekend At Bernie’s”, Arnold finds that death is definitely not what he expected it to be, as he is pitched into a world of soft-porn movie-makers, zombies, vampires, and werewolves.

An innovative investigation into how zombie narratives over the past ten years have been specifically leading up to a unique intersection with the world as it exists in the 2020s, this book posits the undead as a vehicle to communicate humanity's pathway into, and out of, the ideological, health and environmental pandemics of our time. Exploring depictions of zombies across literature, poetry, comics, television, film and video games, Simon Bacon brings together this timely intervention into how zombies enable speculation about future modes of being in a changing world and represent the fluid notion of 'old' and 'new' normals. With each chapter moving beyond traditional readings of the undead, Zombie Futures situates the zombie as an evolving cultural imaginary at the centre of discourses around how human cognition and embodiment are effected by global realities such as consumerism, new technologies, climate change and planetary degeneration. Structured around contagious partisan ideologies, ecological sickness, mental health crisis and the very literal COVID-19 virus, this book establishes how the zombie figure might manifest post-human and post-normative futures. Works featured include graphic novels and comics like The West + Zombies, Crossed and Endzeit, the South Korean series and films Kingdom, Train to Busan and Peninsula, The Last of Us and the Resident Evil game franchises, Bollywood horror anthology Ghost Stories, Joss Whedon's Serenity, Cargo and literature such as The Girl with All the Gifts, the fiction of Stephen Graham Jones and Ryan Mecum's Zombie Haiku. In a time when popular culture and scholarship has been overrun with the undead, this original study offers a refreshing look at the zombie and what it can tell us about about our world going into and emerging from global catastrophe.

WHAT LURKS OUT THERE IN THE FOG? WHAT WAS THAT EERIE SOUND IN THE DEAD OF NIGHT? WHAT FLITTED BY AT THE END OF THE STREET, JUST BEYOND THE FARTHEST LAMP? ....From earliest times, tales of the restless dead and their fellow travellers have terrified mankind. Whether around a remote campfire or in the middle of a bustling city, the unquiet spirits and attendant creatures that have tormented men since the prehistoric darkness haven't gone away; they still have the power to strike fear in our hearts. Encyclopedia of the Undead traces those shadowy shapes that lurk just outside the range of human vision and inhabit our most potent and frightening tales - vampires, werewolves, ghouls, and monsters, every one of them the stuff of nightmares. Drawing on a wide range of belief and literature, it traces these horrors from their earliest recorded inceptions and charts their impact upon the human mind. You'll find detailed descriptions of terrors from all over the world - from the mist shrouded mountains of Eastern Europe to the sweltering jungles of the Caribbean islands; from the dark, stone-lined tombs of the uncoffined dead beneath the remote New England hills to the dark magic that lurks beneath the thriving, colourful surface of a city such as New Orleans. Encyclopedia of the Undead also details some of the things that gnaw at the edges of men's minds - Incubi and Succubi, the Mara, and the dark legends that have influenced writers such as H.P. Lovecraft. This is a book for all those who are interested in the darker side of the human mind, one that examines the beliefs and imaginings that form the basis of our worst fears. Within its pages, history and terror mix to create the things that lurk in the darkest corners of our perceptions.

The academy and pop culture alike recognize the great symbolic and teaching value of the undead, whether vampires, zombies, or other undead or living-dead creatures. This has been explored variously from critiques of consumerism and racism, through explorations of gender and sexuality, to consideration of the breakdown of the nuclear family. Most academic examinations of the undead have been undertaken from the perspectives of philosophy and political theory, but another important avenue of exploration comes through theology. Through the vampire, the zombie, the Golem, and Cenobites, contributors address a variety of theological issues by way of critical reflection on the divine and the sacred in popular culture through film, television, graphic novels, and literature.

When they encounter an enemy known as "solitude" in the misty Thousand Valley, this tale of adventure that crawled out of the ashes will begin to weave a new act.

From Victor Halperin's White Zombie (1932) to George A. Romero's landmark Night of the Living Dead (1968) and AMC's hugely successful The Walking Dead (2010-), zombie mythology has become an integral part of popular culture. In a reversal of the typical pattern of adaptation, the zombie developed onscreen before appearing in short stories and comic books during the 20th century, and more recently as subjects of more traditional novels. This collection of new essays examines some of the most influential and inventive zombie literature, from the early stories to the most recent narratives, including some told from a zombie perspective.