Follies in America examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. In a period of increasing nationalism, follies—such as temples, summerhouses, towers, and ruins—brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness. Kerry Dean Carso's interdisciplinary approach in Follies in America examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.

The Devil's Right Hand chroniclesthe legacy of death and destruction in the gunmaking Colt family during the nineteenth century, a legacy largely remembered for a lurid murder case that inspired Edgar Allan Poe’s story “The Oblong Box”—but one that encompassed much more. . . New York Times and nationally bestselling author M. William Phelps reveals an unfathomable pattern surrounding repeating arms inventor Samuel Colt—from the death of all his children, including Sam’s sea captain son’s mysterious demise aboard his yacht, to the eccentric life of his widow. But the tip of this iceberg was the 1841-42 murder case of brother John C. Colt, one of New York’s most sensational scandals. Printer Samuel Adams went to collect a debt from bookkeeper and author John Colt and was never seen alive again. Shocking revelations followed: Did John shoot Adams with one of his brother’s Colt firearms before hacking him up and packing him in an oblong box? Did Sam Colt invent the revolving pistol, or steal the idea? Part historical true-crime, part family biography and cultural history, The Devil’s Right Hand is a stirring narrative about a darkly cursed American dynasty.

The fascinating story of the American inventor and manufacturer who perfected the revolver Samuel Colt (1814-1862) first patented his "Colt" revolver in 1835 and thereby redefined the architecture of handguns. This stunning book is the first to present in detail the evolution of his most famous invention and to document the unsurpassed Colt firearms collections held by the Wadsworth Atheneum. Colt designed his revolvers with an artistic sensibility--paying particular attention to form and beauty and juxtaposing colors and finishes to heighten the visual effects. He was also one of the first American manufacturers to secure celebrity endorsements and to commission paintings by renowned artists like George Catlin to promote his arms. Colt's standards for excellence, industrial foresight, and quest for market domination are explored in light of primary documents that reveal his constant battles to protect his patents. Essays discuss Colt's personal collection of historic firearms as well as the memorial collection of Colt-manufactured firearms, the relationship between art and commerce as they pertain to the inventor's career, and his international celebrity. Richly illustrated and beautifully produced, this volume presents the artistry of the firearms that Colt worked so diligently to perfect--as well as his promotional abilities that made a tremendous impact on American culture.

This book explores the rise of manufacturing through the beliefs and practices of key industrialists and their families, exploring how they represented the diverse possibilities for the organization of a new industrial society.