More than two hundred illustrations trace the development of medieval arms from their crude beginnings to the beautiful ceremonial armor of the Renaissance

The idea of late medieval arms and armour often conjures up images of lumbering warriors, clad in heavy plate armour, hacking away at with each other with enormous weapons - depictions perpetuated in both bad literature and bad movies. In this introductory guide, replete with fabulous photography and marvellous anecdotes, internationally-renowned edged weapons expert Robert Woosnam-Savage describes the brutal reality of personal protection and attack in the so-called 'age of chivalry'. From Bannockburn to Bosworth, Poitiers to Pavia, this book is an indispensable introduction to an iconic era.

The 'knight in shining armour' has become a staple figure in popular culture, and images of bloody battlefields, bustling feasting halls and courtly tournaments have been creatively interpreted many times in film and fiction. But what was the medieval knight truly like? In this fascinating title, former Senior Curator at the Royal Armouries Christopher Gravett describes how knights evolved over three centuries of English and European history, the wars they fought, their lives both in peacetime and on campaign, the weapons they fought with, the armour and clothing they wore and their fascinating code and mythology of chivalry. The text is richly illustrated with images ranging from manuscript illustrations to modern artwork reconstructions and many photographs of historic artefacts and sites.

As soon as the armed man realized that iron and steel were the best defences for his body, he would naturally insist that some sort of a guarantee should be given him of the efficacy of the goods supplied by his armourer. This system of proving armour would be effected by using those weapons commonly in use, and these, in the early times, were the sword, the axe, the lance, the bow, and the crossbow. The latter seems to have been the more common forms of proof, though as late as the seventeenth century we have evidence that armour was proved with the "estramaon" or sword blow. -from "The Proof of Armour" Not a history of defensive armor but rather a guide to the actual making of armor, as well as the regulations that governed the artisans who made it, this is a fascinating-and practical-handbook on the production, selling, and wearing metal traditional medieval body armor. First published in 1912, this classic book-by British historian and author CHARLES JOHN FFOULKES (1868-1947), curator of London's Royal Armouries-draws on records of the time to detail the tools and appliances of the trade, the decoration and cleaning of armor, the use of leather and fabrics, and much more to offer a complete reference for readers of period fiction and history, wargamers, costumers, and anyone fascinated by the craft of the armorer. This replica of the 1912 edition is complete with all of the original diagrams, illustrations, and photos.

An illustrated survey of knights, their weapons, their battles and wars, and tournaments. Includes glossary of terms and an appendix detailing construction of armor.

Take an engaging journey back in time, when battles were fought with swords, lances, maces, and an array of well-crafted devices that could be elegant and ornate, brutal and efficient, or both. This accessible, lively, and informative book explores many facets of the medieval world of weaponry. Did you know, for instance, that in the fifteenth century "fight books" with drawings guided knights in the proper use of weapons? That the average medieval warrior became a full-fledged fighter by the time he was fifteen years old? Or that armor made by a master could, by modern standards, cost the price of a Rolls Royce?