Arms and Armour of the Elizabethan Court

Arms and Armour of the Elizabethan Court
Title Arms and Armour of the Elizabethan Court PDF eBook
Author Thom Richardson
Publisher Arms and Armour Series
Pages 0
Release 2015
Genre Armor
ISBN 9780948092732

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The Elizabethan court was a vibrant and colourful place, where the inherited traditions and technological skill that had characterised the Middle Ages came face to face with the decorative techniques of the Renaissance. This book shows how the arms and armour in the collections of the Royal Armouries can be studied to gain insight into this creative and dynamic period. This book is part of a series of introductions to aspects of the Royal Armouries' collection of arms and armour. Written by specialists in the field, they are packed full of fascinating information and stunning photography.

Sir Henry Lee (1533-1611): Elizabethan Courtier

Sir Henry Lee (1533-1611): Elizabethan Courtier
Title Sir Henry Lee (1533-1611): Elizabethan Courtier PDF eBook
Author Sue Simpson
Publisher Routledge
Pages 281
Release 2016-04-01
Genre History
ISBN 1317054733

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A favourite of Queen Elizabeth I, Sir Henry Lee was known as ’the most accomplished cavaliero’ in England. This handsome, entertaining and highly convivial gentleman was an important participant in life at court as Elizabeth’s tournament champion. He created the spectacular Accession Day tournaments held annually before London crowds of more than 8,000 people, was Lieutenant of Elizabeth’s palace at Woodstock, and Master of the Armoury at the Tower of London during the Spanish Armada. This is the only biography of Sir Henry Lee in print, and explores the interaction of politics, culture and society of the Elizabethan court through the eyes of a popular and long-serving courtier. Indeed, few other courtiers managed to live such a long and satisfying life, and although this study of Sir Henry’s life shows a diverse nature typical of many Elizabethan gentlemen - his travels to the courts of Italy, his knowledge of arms and armour, his delight in the world of emblems and symbolism, his close association with Philip Sidney, and his intimate relationship with a notorious woman at least thirty years his junior - it also questions what it meant to be a courtier. Was the game actually worth the candle?

Arms and Armour of the Renaissance Joust

Arms and Armour of the Renaissance Joust
Title Arms and Armour of the Renaissance Joust PDF eBook
Author Tobias Capwell
Publisher
Pages 0
Release 2021-06
Genre History
ISBN 9780948092992

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The Renaissance is best known as an age of artists - Michelangelo, da Vinci, Titian and Holbein - but it is also the age of the noble patrons who challenged their painters and sculptors to create great art. These patrons were knights, military leaders and jousters. They played a central role in the story of another great Renaissance story, that of the armourer. 0Here, Tobias Capwell continues his history of jousting seen through surviving artefacts in the collection of the Royal Armouries. He reveals how the jousts and tournaments of the Renaissance transported knightly combat into a kind of performance art, with demonstrations of aristocratic skill and nerve, of superhuman strength and superlative horsemanship - and of cutting-edge equipment.

How to Read European Armor

How to Read European Armor
Title How to Read European Armor PDF eBook
Author Donald J. La Rocca
Publisher Metropolitan Museum of Art
Pages 162
Release 2017-08-15
Genre Antiques & Collectibles
ISBN 1588396290

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Many of us have long been captivated by images of knights in shining armor evoking the age of chivalry and the ideals of Camelot. In this richly illustrated volume, the beauty and complexity of the actual armor worn by European knights and soldiers comes brilliantly to the fore. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} How to Read European Armor presents a compelling overview of armor in Europe from the Middle Ages through the seventeenth century, the period when armor as an art form achieved its highest levels of stylistic beauty and functional perfection. During that time, skilled armorers developed ingenious solutions for protecting the body with armor that was effective and often amazingly ornate. This volume features historically important examples of armor such as a suit made in the royal workshops of Greenwich, England, almost certainly for King Henry VIII himself; a masterfully etched work created by a famed Nuremberg armorer for Emperor Ferdinand I; and sumptuous armor for the warhorse of an Italian nobleman. The engaging text extensively examines armor's complex parts and many decorative techniques, and sets the lively historical context for how European armor thrived in the field of combat, in tournaments, and on ceremonial occasions. A book for any reader drawn to the chivalric and courtly life of Europe, How to Read European Armor highlights the many innovations of armorers who created these legendary marvels of art and technology.

The Defensive Armour and the Weapons and Engines of War of Mediæval Times

The Defensive Armour and the Weapons and Engines of War of Mediæval Times
Title The Defensive Armour and the Weapons and Engines of War of Mediæval Times PDF eBook
Author Robert Coltman Clephan
Publisher
Pages 350
Release 1900
Genre Armor
ISBN

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Looks at armor and arms of the Medieval and Renaissance periods.

Elizabethan Manchester

Elizabethan Manchester
Title Elizabethan Manchester PDF eBook
Author Thomas Stuart Willan
Publisher Manchester University Press
Pages 184
Release 1980
Genre History
ISBN 9780719013362

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Luxury Arts of the Renaissance

Luxury Arts of the Renaissance
Title Luxury Arts of the Renaissance PDF eBook
Author Marina Belozerskaya
Publisher Getty Publications
Pages 292
Release 2005-10-01
Genre Art
ISBN 0892367857

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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.