Like its companion book, this second volume of Arkansas Backstories will amaze even the most serious students of the state with surprising insights. How many people are aware that a world-class yodeler from Zinc ran against John F. Kennedy in 1960 for the top spot on the national Democratic ticket, or that an African-American born in Little Rock campaigned for the Presidency nearly 70 years before Congressman Shirley Chisholm made her historic run? Or that bands of blood-thirsty pirates once lurked in the bayous and backwaters of eastern Arkansas, preying on unsuspecting Mississippi River travelers? Likewise, how many readers will recognize the fact that an English botanist who spent months investigating Arkansas's flora in the early nineteenth century has been described as the worst explorer in history? That Fort Smith hosted the world's first international UFO conference? Or that the Nielsen rating system has a direct connection to the state as does Tony Bennett's signature song, "I Left My Heart in San Francisco"? Such tidbits are among the unexpected elements that make the Natural State so tantalizing. Written in an informal, conversational style and nicely illustrated, Arkansas Backstories Volume Two will be a wonderful addition to the libraries of Arkansans, expats, and anyone else interested in one of America's most fascinating states.

On December 6, 1969, the Texas Longhorns and Arkansas Razorbacks met in what many consider the Game of the Century. In the centennial season of college football, both teams were undefeated; both featured devastating and innovative offenses; both boasted cerebral, stingy defenses; and both were coached by superior tacticians and stirring motivators, Texas's Darrell Royal and Arkansas's Frank Broyles. On that day in Fayetteville, the poll-leading Horns and second-ranked Hogs battled for the Southwest Conference title -- and President Nixon was coming to present his own national championship plaque to the winners. Even if it had been just a game, it would still have been memorable today. The bitter rivals played a game for the ages before a frenzied, hog-callin' crowd that included not only an enthralled President Nixon -- a noted football fan -- but also Texas congressman George Bush. And the game turned, improbably, on an outrageously daring fourth-down pass. But it wasn't just a game, because nothing was so simple in December 1969. In Horns, Hogs, & Nixon Coming, Terry Frei deftly weaves the social, political, and athletic trends together for an unforgettable look at one of the landmark college sporting events of all time. The week leading up to the showdown saw black student groups at Arkansas, still marginalized and targets of virulent abuse, protesting and seeking to end the use of the song "Dixie" to celebrate Razorback touchdowns; students were determined to rush the field during the game if the band struck up the tune. As the United States remained mired in the Vietnam War, sign-wielding demonstrators (including war veterans) took up their positions outside the stadium -- in full view of the president. That same week, Rhodes Scholar Bill Clinton penned a letter to the head of the ROTC program at the University of Arkansas, thanking the colonel for shielding him from induction into the military earlier in the year. Finally, this game was the last major sporting event that featured two exclusively white teams. Slowly, inevitably, integration would come to the end zones and hash marks of the South, and though no one knew it at the time, the Texas vs. Arkansas clash truly was Dixie's Last Stand. Drawing from comprehensive research and interviews with coaches, players, protesters, professors, and politicians, Frei stitches together an intimate, electric narrative about two great teams -- including one player who, it would become clear only later, was displaying monumental courage just to make it onto the field -- facing off in the waning days of the era they defined. Gripping, nimble, and clear-eyed, Horns, Hogs, & Nixon Coming is the final word on the last of how it was.

The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread," the fiddle tune "Bonaparte's Retreat," the blues "Another Man Done Gone," and the spiritual "Ain't No Grave Can Hold My Body Down," these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by. Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse." Alongside loving and expert profiles of these performers and their locales and communities, Wade also untangles the histories of these iconic songs and tunes, tracing them through slave songs and spirituals, British and homegrown ballads, fiddle contests, gospel quartets, and labor laments. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts," Wade shows how a single artist can make a difference within a democracy. Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The hardcover edition also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s.

Between two demanding careers and a wedding to plan, Randy Lassiter and Leslie Carlisle have a lot going on. But when Dr. J.J. Newell, who's agreed to be best man at their marriage, inexplicably disappears, the dynamic changes. The search for their missing friend soon extends extends past Little Rock, taking them to Hot Springs, Memphis, Helena, and Tunica. What they eventually discover is something far, far beyond what they could have imagined. "Just like in his first book, Joe David Rice has come up with a bone-chilling thriller, with prominent central Arkansas landmarks as a backdrop. If this were a Netflix series (and it should be), you'd be binge-watching it right now." Craig O'Neill Arkansas Media Personality "Joe David Rice's A Nasty Way to Die is a gripping mystery novel that keeps you guessing and on the edge of your seat from beginning to end. Set in Arkansas, the entwined association of the characters amplifies the intriguing plot." James L. "Skip" Rutherford III Dean, University of Arkansas Clinton School of Public Service (2006-2021) "If you're a fan of C.J. Box . . . you'll appreciate the Randy Lassiter and Leslie Carlisle mystery series by Joe David Rice. Whereas Rice's first novel is staged in the rugged Buffalo National River wilderness, A Nasty Way to Die weaves the vanishing of Randy's best friend, J.J., into the ad business and urban landscape of Little Rock. One you start, you'll not put it down . . . plus the piquant Randy-Leslie relationship alone is worth the read." Jim Dailey Former Mayor of Little Rock

In November 1912, popular and pretty eighteen-year-old Ella Barham was raped, murdered, and dismembered in broad daylight near her home in rural Boone County, Arkansas. The brutal crime sent shockwaves through the Ozarks and made national news. Authorities swiftly charged a neighbor, Odus Davidson, with the crime. Locals were determined that he be convicted, and threats of mob violence ran so high that he had to be jailed in another county to ensure his safety. But was there enough evidence to prove his guilt? If so, had he acted alone? What was his motive? This examination of the murder of Ella Barham and the trial of her alleged killer opens a window into the meaning of community and due process during a time when politicians and judges sought to professionalize justice, moving from local hangings to state-run executions. Davidson’s appeal has been cited as a precedent in numerous court cases and his brief was reviewed by the lawyers in Georgia who prepared Leo Frank’s appeal to the U.S. Supreme Court in 1915. Author Nita Gould is a descendant of the Barhams of Boone County and Ella Barham’s cousin. Her tenacious pursuit to create an authoritative account of the community, the crime, and the subsequent legal battle spanned nearly fifteen years. Gould weaves local history and short biographies into her narrative and also draws on the official case files, hundreds of newspaper accounts, and personal Barham family documents. Remembering Ella reveals the truth behind an event that has been a staple of local folklore for more than a century and still intrigues people from around the country.

Visit Mikejordanbooks.com. Crockett's Coin is the first novel in author Mike Jordan's epic series of romance, war and social justice in 1800s America. The five-book Lost Heroes Series debuts in the hill country of middle Tennessee, and includes events during and after the War of 1812 in Tennessee, Falls Church, Virginia, and Washington, D.C. Three teenage friends confront the harshness of war, deceit and slavery as they battle their feelings for one another. Henderson Bohannan is charmed by the spirit of the beautiful blonde Winnie Harp and intrigued by the intelligence and conviction of Kate Gate. However, each girl is kept out of his reach by promises made to others years before. Will Henderson convince Kate to break her vow of celibacy? Or will he rescue Winnie from the arranged marriage with the obnoxious Chase Ferguson. Follow the lives of these three teenagers and their families as they confront power-hungry neighbors, crooked authorities and the injustices of slavery. And witness how love, wisdom, conviction -- along with a mysterious silver coin -- affect the lives of the people of The Hills of Tennessee in the American South. More information at Mikejordanbooks.com

For over ten years, fine art photographer Keith Dotson has explored and photographed abandoned places in black and white. His first photo book, "Unloved and Forgotten: Fine Art Photographs of Abandoned Places," features a selection of the most intriguing and beautiful locations he found in his travels. It includes richly reproduced photographs of abandoned houses, schools, churches, barns, storefronts, and even entire abandoned towns.The book highlights fascinating locations like Adams, Tennessee (home of the infamous Bell Witch legend), and Cairo, Illinois, which has rapidly depopulated and is in the process of becoming abandoned. He offers concise backstories of several locations -- a deserted mining town in Arkansas, a forsaken 1952 Plymouth found crashed against a tree on a steep hillside in the woods, and a derelict high school building with a historic graveyard on its property. Included is a brief history of George L. Mesker and Company, the mail order business that sold ornate, prefabricated ironwork storefronts to small towns across America starting in the 1880s. Mesker storefronts can still be seen on many abandoned (and preserved) buildings. The 48-page book is lavishly illustrated throughout with Dotson's black and white photographs.