The “organic” is by now a venerable concept within aesthetics, architecture, and art history, but what might such a term mean within the spatialities and temporalities of film? By way of an answer, this concise and innovative study locates organicity in the work of Béla Tarr, the renowned Hungarian filmmaker and pioneer of the “slow cinema” movement. Through a wholly original analysis of the long take and other signature features of Tarr’s work, author Thorsten Botz-Bornstein establishes compelling links between the seemingly remote spheres of film and architecture, revealing shared organic principles that emphasize the transcendence of boundaries.

This volume includes articles by Amine Beyhom: 'A Hypothesis for the Elaboration of Heptatonic scales'; Richard Dumbrill: 'The Truth about Babylonian Music'; Bruno Deschenes: 'A preliminary approach to the Analysis of honkyoku, the solo repertoire of the Japanese shakuhachi'; Amine Beyhom: 'MAT for VIAMAP - Maqam analysis Tools for the Video-Animated Music Analysis Project.'

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