What happens if we abandon the assumption that a person is a discrete, world-making agent who acts on and creates place? This, Monique Allewaert contends, is precisely what occurred on eighteenth-century American plantations, where labor practices and ecological particularities threatened the literal and conceptual boundaries that separated persons from the natural world. Integrating political philosophy and ecocriticism with literary analysis, Ariel’s Ecology explores the forms of personhood that developed out of New World plantations, from Georgia and Florida through Jamaica to Haiti and extending into colonial metropoles such as Philadelphia. Allewaert’s examination of the writings of naturalists, novelists, and poets; the oral stories of Africans in the diaspora; and Afro-American fetish artifacts shows that persons in American plantation spaces were pulled into a web of environmental stresses, ranging from humidity to the demand for sugar. This in turn gave rise to modes of personhood explicitly attuned to human beings’ interrelation with nonhuman forces in a process we might call ecological. Certainly the possibility that colonial life revokes human agency haunts works from Shakespeare’s Tempest and Montesquieu’s Spirit of the Laws to Spivak’s theories of subalternity. In Allewaert’s interpretation, the transformation of colonial subjectivity into ecological personhood is not a nightmare; it is, rather, a mode of existence until now only glimmering in Che Guevara’s dictum that postcolonial resistance is synonymous with “perfect knowledge of the ground.”

As the twenty-first century faces a crisis of democracy and sustainability, this book tries to bring academics and globalisation activists into conversation. Through studies of global neoliberalism, ecological debt, climate change, and the ongoing devaluation of reproductive and subsistence labour, these essays women thinkers expose the limits of current scholarship in political economy, ecological economics, and sustainability science. The book introduces theoretical concepts for talking about humanity-nature links.

This book explores the philosophical and political challenge of ecofeminism. It shows how the ecology movement has been held back by conceptual confusion over the implications of gender difference, while much that passes in the name of feminism is actually an obstacle to ecological change and global democracy. The author argues that ecofeminism reaches beyond contemporary social movements being a political synthesis of four revolutions in one: ecology is feminism is socialism is post-colonial struggle. Informed by a critical postmodern reading of the Marxist tradition, Salleh's ecofeminism integrates discourses on science, the body, culture, nature, political economy. The book opens with a short history of the ecofeminism. Part two establishes the basis for its epistemological challenge while the third part consists of ecofeminist deconstructions of deep ecology, social ecology, eco-socialism and postmodern feminism. In the final section, Salleh suggests that a powerful way forward can be found in commonalities between ecofeminist and indigenous struggles.

This Will Not Be Generative attends to the semiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells, it exposes how the language of tentacles and tendrils, an assumptive 'we,' and redemptive sympathy or 'care' disguises extraction from black people and blackness. This often speculative rhetoric, abetted by fantasies of white communion with indigenous groups, contrasts with the horror semiotics of the films Get Out (2017) and Midsommar (2019), which unmask the antagonistic relationship between white survival 'at the end of the world' and blackness as compost.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. The beginning of the 20th century marked a new phase of the battle for civil rights in America. But many of the era's most important African-American writers were also acutely aware of the importance of environmental justice to the struggle. Civil Rights and the Environment in African-American Literature is the first book to explore the centrality of environmental problems to writing from the civil rights movement in the early decades of the century. Bringing ecocritical perspectives to bear on the work of such important writers as Booker T. Washington, W.E.B. Du Bois, the writers of the Harlem Renaissance and Depression-era African-American writing, the book brings to light a vital new perspective on ecocriticism and modern American literary history.

The first book-length examination of the award-winning author of poetry and fiction firmly rooted in Appalachia Since his dramatic appearance on the southern literary stage with his debut novel, One Foot in Eden, Ron Rash has continued a prolific outpouring of award-winning poetry and fiction. His status as a regular on the New York Times Best Sellers list, coupled with his impressive critical acclaim—including two O. Henry Awards and the Frank O'Connor Award for Best International Short Fiction—attests to both his wide readership and his brilliance as a literary craftsman. In Summoning the Dead, editors Randall Wilhelm and Zackary Vernon have assembled the first book-length collection of scholarship on Ron Rash. The volume features the work of respected scholars in southern and Appalachian studies, providing a disparate but related constellation of interdisciplinary approaches to Rash's fiction, nonfiction, and poetry. The editors contend that Rash's work is increasingly relevant and important on regional, national, and global levels in part because of its popular and scholarly appeal and also its invaluable social critiques and celebrations, thus warranting academic attention. Wilhelm and Vernon argue that studying Rash is important because he encourages readers and critics alike to understand Appalachia in all its complexity and he consistently provides portrayals of the region that reveal both the beauty of its cultures and landscapes as well as the social and environmental pathologies that it continues to face. The landscapes, peoples, and cultures that emerge in Rash's work represent and respond to not only Appalachia or the South, but also to national and global cultures. Firmly rooted in the mountain South, Rash's artistic vision weaves the truths of the human condition and the perils of the human heart in a poetic language that speaks deeply to us all. Through these essays, offering a range of critical and theoretical approaches that examine important aspects of Rash's work, Wilhelm and Vernon create a foundation for the future of Rash studies. Robert Morgan, Kappa Alpha Professor of English at Cornell University and author of fourteen books of poetry and nine volumes of fiction including the New York Times bestselling novel Gap Creek, provides a foreword.

Offers an overview of American environmental literature across genres and time periods, introducing readers to a range of ecocritical methodologies.