Tiré du site Internet de Nieves: ""Ariel Pink's haunted Graffiti - Selected lyrics" is the debut print publication solely featuring L.A. songwriter Ariel Pink, and the first survey of his lyrics. Unequivocally influencing underground music in the last decade, Ariel Pink's twisted catalog of pop music also bears an exceedingly animated literary world. With thirty-seven lyrics culled from both well-known and obscure releases, the songs in Selected Lyrics span the entirety of Ariel Pink's recording tenure, and together comprise a kind of "best-of", a one-stop tour of Pink's recurrent themes and fascinations. In "Selected lyrics", Pink's tragic dramas of domestic pain come to vivid life in "L'estat (acc. to the widow's maid)" and in lyrics to some of Pink's most beloved songs "Envelopes another day", "Among dreams" and "Life in L.A." These songs are contrasted by others more brashly and viscerally imagined, such as the lurid saga of the neutered cat in "Jules lost his jewels", the sexually inconclusive gender destroyer "Menopause man," and the Darby Crash-esque "Tractor man", a point-of-view confessional from a roaming marauder on a spree in the farms of California. Contrarily, the flickering lamplit beauty of "Let's build a campfire there" reads like a user-manual for backwoods escape in one of Pink's many tranquil masterpieces : "Our faces float bright like distant porch light / for a stranger who is far from home / let's build a campfire there." As the Haunted fraffiti namesake conveys, an antagonistic notion of defacement remains a core feature of Pink's talent for dispatching lyrics in so many indelible guises and seemingly disparate consciousnesses. "Selected lyrics" explores this range, and gives fans authoritative transcriptions of Pink's most classic material, which, famously, has been so difficult to comprehend by ear due to lower-fidelity recordings. Included in the text are several pages of lyrics in their original hand, a reproduction of a fantastic unseen drawing by Ariel Pink, and a thorough discography in the index."

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

Gordon Downie, lead singer and lyricist for the popular Canadian rock band The Tragically Hip, released his first solo record, Coke Machine Glow in Spring 2001. Alongside the album, his first book of poetry and prose under the same title was published, including the lyrics to the sixteen songs on the record. Now, on the 20th anniversary year of Coke Machine Glow, fans have more to delight in: an audiobook of Coke Machine Glow and a brand new album by Downie, released posthumously. Coke Machine Glow is a rich, haunting collection that reveals both the public and private selves of one of Canada's most enigmatic musicians. In poetry that is urban, gritty and political, as well as romantic, nostalgic and whimsical, Downie allows us a glimpse inside his world. With his acute and observing eye, he gives us snapshots of his life, both on the road and at home; he writes of loneliness and isolation; of longing and desire; of the present and the past; of dreams and nightmares; love lost and love of family. Ultimately, this book is about the distances that bridge and separate us. Layered and deceptively simple, imbued with Downie's wit, insight, anger, compassion and rock'n'roll edge, Coke Machine Glow is a remarkable debut from a remarkable creator.

Prodigiously influential, Jacques Derrida gave rise to a comprehensive rethinking of the basic concepts and categories of Western philosophy in the latter part of the twentieth century, with writings central to our understanding of language, meaning, identity, ethics and values. In 1993, a conference was organized around the question, 'Whither Marxism?’, and Derrida was invited to open the proceedings. His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was first published, a rapidly changing world and world politics have scarcely dented the relevance of this book.

From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti