Ariadne, ancient goddess of the labyrinth, is the universal symbol for the path of initiation. This workbook leads women on a magical journey of discovery and initiation into the mysteries of the Goddess.

"Ariadne's Thread is a mini-encyclopedia of more than a hundred such international oral tales, all present in the literature of ancient Greece and Rome. It takes into account writings, including early Jewish and Christian literature, recorded in or translated into Greek or Latin by writers of any nationality. As a result, this book will be invaluable not only to classicists and folklorists but also to a wide range of other readers who are interested in stories and storytelling."--BOOK JACKET.

"What line should the critic follow in explicating, unfolding, or unknotting . . . passages? How should the critic thread her or his way into the labyrinthine problems of narrative form?--from chapter I In this brilliant and engaging book, one of America's leading literary critics explores the intricacies of narrative theory. Using the image of Ariadne's thread, which was given to Theseus to carry into the labyrinth so that he could find his way out, J. Hillis Miller traces out the "line" so often associated with narrative and writing in general. In the process he illuminates the nature of literature as well as the nature of narrative. Considering a wide range of texts from Western literature over the last two centuries--in particular Meredith's The Egoist, Goethe's Elective Affinities, and Borges's "Death and the Compass"--Miller explores the way rhetorical devices and figurative language interrupt, break into, delay, and expand storytelling. He also illustrates these rhetorical disruptions of narrative logic in his own work. In its four chapters--about the role of line, character, interpersonal relationships, and figurative language in narrative--Miller's study encounters in its own language the problems it discusses, as concepts and words are scrutinized for their diverse meanings and resonances. Demonstrating that every narrative, including this one about the nature of narrative, has divergent lines and multiple motives and uses, Ariadne's Thread tells its story and enacts its subject at the same time.

The myths of ancient Crete, her people, and their gods twine through our minds like the snakes around the priestess's arms in those ancient temples. They call to us across the millennia, asking us to remember. In answer to that call, Ariadne’s Thread provides a window into the spirituality, culture and daily life of the Minoan people, and commemorates the richness of a world in which women and men worked and worshiped as equals. In these pages, the glory of Crete once again springs to life; the history, the culture, and most of all, the intense spirituality of these fascinating people and their gods can inspire and transform our modern ways of thinking, worshiping and being. The ruined temples and mansions of ancient Crete may crumble along the coastline of this tiny island, but Ariadne’s thread still leads us into the labyrinth and safely back out again.

This book is a powerful, interdisciplinary introduction to environmental studies.

Ariadne's Thread came from the need to tell stories of the amazing women in my family. All of them, born in Russia before the 1917 Revolution, settled in France where they had to adapt to a life radically different from what they had known. When their world collapsed, they could either collapse with it, or reinvent themselves. These women taught me the art of survival: resilience in adversity, self-reliance, frugality. Through them - my grandmother, my aunts, my mother - I learned lessons which are not taught in school, values which have sustained me throughout my life. These women's down-to-earth values have new relevance today, in a world preoccupied by appearances and material gain. By looking at my family's collective past, I see clues for a better future. If we want a better world, we could do worse than turn to a few old-fashioned values and work at putting them into practice. The book is a tribute to the precious heritage I received from people who lived and loved fully, and for whom everyday life was a celebration. I hope they will inspire many.

This book is the first to deal comprehensively with the construction, significance, and function of the full range of garments of Aegean women and related attire of men from the Neolithic to the end of the Bronze Age. As valuable as precious metals, a significant commodity of trade, luxurious in design and decoration, Minoan dress rivaled that of its Near Eastern and Egyptian neighbors. Yet, Aegean costumes and textiles have been among the least understood of the major artistic achievements of the Minoan civilization. Since ancient Aegean textiles and garments have not survived, the study collects, analyzes and compiles a typology of the corpus of garments represented in sculpture, frescoes and glyptic to glean evidence for construction. It further considers the manufacturing techniques of extant Egyptian clothes, comparable images of ancient Near Eastern garments, textile manufacture on the warp-weighted loom, and dress documented in Mycenaean Linear B, Greek and Near Eastern texts. The combined evidence is buttressed by experiments in replicating Aegean and related Near Eastern garments as well as the weave structures of patterned cloths and bands. The replicated clothes are arranged on live models who assume the various positions of the clothed figures in the frescoes and sculptures they imitate, thereby bringing the ancient figures to life. This all inclusive study not only illuminates every aspect of Aegean costume, but the resultant understanding of dress and the way it drapes on the body has led to new restorations of the missing parts of fragmentary garments on figural sculptures and wall paintings.