What happens when the strong, ambitious man you married fades into a stranger with an illness no doctor can diagnose? When Jessica Zimmerman's husband Brian contracted a mysterious illness that left him 60 pounds underweight and a prisoner to their master bathroom, she had no idea the journey of self-discovery on which they were both about to embark. As Jessica and Brian worked to solve the riddle of his illness, they also had a harder question to answer: was their marriage even worth saving? Sleeping with a Stranger is a searing, honest and hilarious memoir about learning how to love even in the darkest of moments, and how to find yourself when the compass is lost. As Jessica's business takes off, and the demands of being the sole provider increase, she begins to discover who she was always meant to be, even if that goes against the Southern culture in which she was raised. Bucking up against old ideas and even older Southern traditions, Jessica's story is also a rallying cry for women coming to terms with their trauma in order to find healing. Sleeping with a Stranger is a testament to the power of healing--how we can heal our bodies, our spirits, our relationships with others, and ultimately, ourselves. As Brian finally recovers, and Jessica recognizes that she can never go back to the old script that so many women follow, they begin to negotiate a new marriage and learn the greatest lesson of all: we can reclaim our true selves at any time.

For five years, author Dr. Ann Jones and her family watched as the patriarch of their family, Dr. Henry R. Jones, became lost to the everyday joys of family and ministry. This power couple, was married fifty-two years and walked together through each season of their life in ministry; however, when faced with the diagnosis of early-onset dementia at the age of sixty-seven, they realized this was a challenge unlike anything in which they had been able to prepare. In fact, Henry would not take ownership of this debilitating disease and never called it his own. His wife knew she would be the principal caregiver and yet, because they had walked by faith through their entire marriage, she was pulled between the dire expectations of loss and believing with her husband that he would never succumb to this dreaded disease. Walk with the author down memory lane as she carries you through their early ministry exploits only to arrive at an unexpected junction of aloneness. Ann will give you insights into their world of evangelism and ministry as well as their journey in dealing with the medical community as she reached out for assistance but could not find what was needed when necessary, so hospice became their solace.

Helen Shaw's relaxing vacation on the stunning island of Santos is ruined when she steps off the ferry and sees Greek tycoon Milos Stephanides. Years before they had a scorching affair, until, discovering Milos had been untruthful, Helen left him. Now Helen has a secret that she is desperate to keep from Milos. She tries to keep her distance, but the powerful attraction between them continues to steadily build under the heat of the Greek sun....

Drifting from relationship to relationship in his work as a killer for hire, Gideon interacts with a range of con artists, prostitutes, and broken-hearted clients while passing time with three very different women, each of whom wishes to capture his heart. By the author of Chasing Destiny. 150,000 first printing.

From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M

In this wholly original work of film criticism, David Thomson, celebrated author of The Biographical Dictionary of Film, probes the many ways in which sexuality has shaped the movies—and the ways in which the movies have shaped sexuality. Exploring the tangled notions of masculinity, femininity, beauty, and sex that characterize our cinematic imagination—and drawing on examples that range from advertising to pornography, Bonnie and Clyde to Call Me by Your Name—Thomson illuminates how film as art, entertainment, and business has historically been a polite cover for a kind of erotic séance. In so doing, he casts the art and the artists we love in a new light, and reveals how film can both expose the fault lines in conventional masculinity and point the way past it, toward a more nuanced understanding of what it means to be a person with desires.

Emily Berry's Dear Boy was described as a 'blazing debut', winning the Forward Prize for Best First Collection in 2013. Stranger, Baby, its follow-up, is marked by the same sense of fantasy and play, estrangement and edgy humour for which she has become known. But these poems delve deeper again, in their off-kilter and often painful encounter with childhood loss. This is a book of mourning, recrimination, exhilaration and 'oceanic feeling': 'A meditation on a want that can never be answered.'