Biblical humor about women and gender remains elusive for many readers, for its recognition may imply the realization that it's a cruel and disrespectful humor, ridicule rather than good-natured fun. But viewing humor as social critique, as is largely done in the essays in this volume, with respect to both the texts read and their actual or implied author, may be fun as well as significant for understanding the biblical worlds. As most of the essays show, writing about women is writing about men as well. In other words, it is writing about gender roles. The critique of women, womanhood and femaleness implied by biblical and related texts serves, in equal measure, as a critique of men, manhood and maleness in the texts, of the texts authors, and of the texts' commentators and readers. Contributors include Scott Spencer, Mary Shields, Kathleen O'Connor, Toni Craven, Kathy Williams, Athalya Brenner, Gale Yee, Amy-Jill Levine, and Esther Fuchs.

Essays on women, men, gender roles and humor as social critique.

Placing failed humor within the broader category of miscommunication and drawing on a range of conversational data, this text represents the first comprehensive study of failed humor. It provides a framework for classifying the types of failure that can occur, examines the strategies used by both speakers and hearers to avoid and manage failure, and highlights the crucial role humor plays in social identity and relationship management.

Pronunciation governs our regional and social identity more powerfully than any other aspect of spoken language. No wonder, then, that it has attracted most attention from satirists. In this intriguing book, David Crystal shows how our feelings about pronunciation today have their origins in the way our Victorian predecessors thought about the subject, as revealed in the pages of the satirical magazine, Punch.In the sixty years between its first issue in 1841 and the death of Queen Victoria in 1901, jokes about the fashions affecting English usage provide one of Punch's most fruitful veins of humour, from the dropped aitches of the Cockney accent to the upper-class habit of dropping the final 'g' (huntin' and fishin'). For 'We Are Not Amused', David Crystal has examined all the issues during the reign of Queen Victoria and brought together the cartoons and articles that poked fun at the subject of pronunciation, adding a commentary on the context of the times, explaining why people felt so strongly about accents, and identifying which accents were the main source of jokes. The collection brings to light a society where class distinction ruled, and where the way you pronounced a word was seen as a sometimes damning index of who you were and how you should be treated. It is a fascinating, provocative and highly entertaining insight into our on-going amusement at the subject of how we speak.

Examines the effects of television culture on how we conduct our public affairs and how "entertainment values" corrupt the way we think.

Does the Queen hold a drivers license and did she pass a test? What happens to the hundreds of boxes of chocolate people send Her Majesty on her birthday? These questions and more are answered in a practical miscellany of the royal family. Interest in the royal family is inexhaustible—people are curious about what they wear, drink, and do. This perfect companion to the royals' never-ending soap opera reveals all, from where the best places are to go to see the royal family to such details of tradition as the correct days and hours when it is permitted to fly a flag above Buckingham Palace. Including fascinating facts on abdication, birthdays, Christmas, dining, equerries, fashion, garden parties, hairdressers, insignia, the Jewel House, Kensington Palace, liveries, maids of honor, nannies, orbs, protection squads, the Queen’s piper, racing, Snowdon, tartans, the Union Jack, Queen Victoria, weddings, the x-ray machine at Buckingham Palace, yachts, and Zara Phillips, this is an unstoppable, unbeatable little guide to the British monarchy.