"We've tried to create a compact, up-to-date guide to all the places and things a design-oriented visitor might want to see in a week, as well as a handy 'black book' for residents," says Michael Webb. "The goal was to distill the essence of a vast and confusing city into a slim volume that you could carry around in your pocket or purse." --This text refers to the Paperback edition. Seltctive guide to the best-designed buildings, interiors and artifacts in greater Los Angeles, district by district.

Through an in-depth exploration of 9 projects ranging from retail to residential design, Standard highlights the practice of Los Angeles-based interdisciplinary studio Standard while it deconstructs traditional conceptions of interior and exterior space. By honing in on the malleability of the storefront and its transformative role across varying sectors of architecture and design, Standard presents an alternative understanding of the facade. The public/private divide becomes permeable, and cultural narratives can be written from the inside out - flowing from fundamental elements like space and light to the contextual meaning of place. In Standard's world, transitional spaces such as doors, windows, and openings come to define and bring meaning to our collective experience of place. From nooks like Hidden House and Kayne Griffin Corcoran that escape their immediate surroundings to the hybrid retail-gallery venues such as the Helmut Lang Concept Store and Maxfield Gallery in West Hollywood, Standard unveils the studio's unique philosophy in action. Across all of Standard's work is the feeling of osmosis through space and time: where old sites bleed into new structures, and apparently contrasting elements of urban life are artfully exposed to one other, re-producing themselves in the process. The result is a sophisticated rendering of place that is at once as intimate as it is accessible, and as nuanced as it is organic. Standard is the partnership of Jeffrey Allsbrook and Silvia Kuhle, two Los Angeles-based architects whose combined practice stems from a research-based and collaborative approach to architecture, interiors, and design. Standard fuses classical teachings with contemporary applications to arrive at new forms of living and working. 153 colour and b/w illustrations

The energy used to operate buildings is one of the most significant sources of greenhouse gas emissions. While it is possible to reduce emissions through climate-responsive design, many architects are not trained to do this. Filling an urgent need for a design reference in this emerging field, this book describes how to reduce building-related greenhouse gas emissions through appropriate design techniques. It presents strategies to achieve CO2 reductions, with an emphasis on control of energy flows through the building envelope and passive heating and cooling strategies. This new, revised edition is updated throughout, and includes a new chapter on building simulations.

This book offers a casual, witty, and approachable retrospective on the characters, environment, and cultural history of L.A. architecture as remembered through a series of oral history interviews with the architects conducted by Stephen Phillips alongside Wim de Wit, Christopher Alexander, and the students of the Cal Poly L.A. Metro Program in Architecture and Urban Design.

"The most comprehensive guide over published to the man-made environment of Southern California. Contains hundreds of entries plus notes on city history, freeways, murals, and historic preservation. Also, a comprehensive bibliography, a photographic history of Los Angeles architecture, and an unequalled style glossary. David Gebhard and Robert Winter deftly pilot the enthusiast through one of the richest architectural regions in the world. With perception, understanding, and wit, the authors point out the classical monuments, the tacky copies, the sublime, and the bizarre. They lead us to the famous buildings and through the backstreets and alleys to find the unsung treasures. Loaded with maps and photographs."--Back cover.

A comprehensive and fascinating look at the history of the Museum of Modern Art’s Architecture and Design Department under the leadership of the influential curator Arthur Drexler. Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986—the longest curatorship in the museum’s history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA’s founding director, Alfred Barr, and the department’s first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. During Drexler’s tenure, MoMA played a pivotal role in examining the work and confirming the reputations of twentieth-century architects, among them Frank Lloyd Wright, Le Corbusier, Richard Neutra, Marcel Breuer, and Ludwig Mies van der Rohe. Exploring unexpected subjects—from the design of automobiles and industrial objects to a reconstruction of a Japanese house and garden—Drexler’s boundary-pushing shows promoted new ideas about architecture and design as modern arts in contemporary society. The department’s public and educational programs projected a culture of popular accessibility, offsetting MoMA’s reputation as an elitist institution. Drawing on rigorous archival research as well as author Thomas S. Hines’s firsthand experience working with Drexler, Architecture and Design at the Museum of Modern Art analyzes how MoMA became a touchstone for the practice and study of midcentury architecture.