This vital book captures and presents more than 60 examples of architecture and design created and built for World Expo 2010 Shanghai in four chapters, with content and design examples submitted by the architects involved in creating these landmark buildings

Striking colour photographs and floor plans illustrate the very best pavilions from the 2010 Shanghai Expo.

Expo 2010 Shanghai was the most ambitious world exposition to date with more than 70 million visitors. It boasted an unprecedented collection of pavilions that represented the ambitions of individual nations as well a collective vision for cities in the new millennium. Together, the buildings constitute a cross section of contemporary trends inarchitecture, showcasing a full spectrum of cutting edge technology, building materials, and design sensibilities. * This book captures this extraordinary architectural event with the eloquent and probing photography of Nic Lehoux. The thorough documentation includes detailed photographic accounts of the various architectural features and thepublic spaces and landscapes that bind them into a total and unique environment. * The accompanying essay situates the event in a long standing tradition of world expositions while underscoring the particular geographic, cultural, and political aspects of the Chinese context that shape the Shanghai Expo and its thematic orientation.

"This entrancing book looks at [the clash of class and caste within the black community] . . . . An important reexamination of African American history." —Choice The 1893 World's Columbian Exposition in Chicago showed the world that America had come of age. Dreaming that they could participate fully as citizens, African Americans flocked to the fair by the thousands. "All the World Is Here!" examines why they came and the ways in which they took part in the Exposition. Their expectations varied. Well-educated, highly assimilated African Americans sought not just representation but also membership at the highest level of decision making and planning. They wanted to participate fully in all intellectual and cultural events. Instead, they were given only token roles and used as window dressing. Their stories of pathos and joy, disappointment and hope, are part of the lost history of "White City." Frederick Douglass, who embodied the dream that inclusion within the American mainstream was possible, would never forget America's World's Fair snub.

The Expo Book: A Guide to the Planning, Organization, Design & Operation of World Expositions

Sharing stories and inspiring lessons on leadership and design, one architect explains how he helped build one of the world’s most successful firms Founded on July 4, 1976, Kohn Pedersen Fox quickly became a darling of the press with groundbreaking buildings such as the headquarters for the American Broadcasting Company (ABC) in New York, 333 Wacker Drive in Chicago, the Procter & Gamble headquarters in Cincinnati, and the World Bank Headquarters in Washington, DC. By the early 1990s, when most firms in the U.S. were struggling to survive a major recession, KPF was busy with significant buildings in London, Germany, Canada, Japan, Korea, and Indonesia—pioneering a model of global practice that has influenced architecture, design, and creative-services firms ever since. Like any other business, though, KPF has stumbled along the way and wrestled with crises. But through it all, it has remained innovative in an ever-changing field that often favors the newest star on the horizon. Now in its fifth decade, the firm has shaped skylines and cities around the world with iconic buildings such as the World Financial Center in Shanghai, the International Commerce Centre in Hong Kong, the DZ Bank Tower in Frankfurt, the Heron Tower in London, and Hudson Yards in New York. Forthright and engaging, Kohn examines both award-winning achievements and missteps in his 50-year career in architecture. In the process, he shows how his firm, KPF, has helped change the buildings and cities where we live, work, learn, and play. “A must-read for all of those who love cities and the buildings and skylines that define them.” —Stephen M. Ross, chairman and founder of The Related Companies

It was the most astonishing fair ever. "The grandest exposition this planet has ever witnessed", wrote one observer of the Columbian Exposition. A spectacular neoclassical "White City" designed by the nation's leading architects under the direction of Daniel Burnham; innumerable exhibits of science, technology, and the arts from throughout the world; a meeting place for a remarkable variety of social, intellectual, and religious groups; and a Midway of sometimes up-lifting, sometimes exotic attractions - all staged in that boisterous and fascinating city of wealth, culture, and corruption, Chicago. No fair since has so captured the imagination of the American people - indeed, people throughout the world. More than 27 million visitors (an extraordinary figure for 1893) came to see the great Chicago World's Fair, and it entertained them enormously. Its legacies - to literature, music, architecture, and city planning, among many fields - were notable. But the Columbian Exposition was also a telling portrait of American society at the turn of the nineteenth century. No event better illustrated the American rise to world power, better reflected American tastes and values, or better presaged the American Century to come. Robert Muccigrosso explores the history, substance, and larger meaning of the fair in this lively survey.