Here, for the first time, Swedish architecture is presented in all its diversity. Five authors guide us around 280 of Sweden's most noteworthy buildings and describe their architecture. Castles and cathedrals are presented side by side with traditional timber buildings and modern residential developments in an eye-opening journey from south to north. Drawings and color photos make the book as useful before as after a visit. All the authors are architects and experts in their field.

Swedish Modernism provides an in-depth, multilayered account of the process of modernization; whilst also highlighting the difficulties found. The debate is enriched from a diverse range of contributors including architects, researchers and leading academics from across the globe. Following an introduction from Helena Mattsson and Sven-Olov Wallenstein, the book is divided thematically into three sections. The first section of the book explores the construction of the welfare state. The contributions in this section analyze the peculiar modalities of this development from the point of view of sociology and political science, providing a more nuanced view of 'modernization' that shows to what extent it must always be understood on the basis of local context. The second section delves into the importance of consumers and spectacles analyzed in relation to the wide range of 'state programmes' from housing to national marketing programmes. This section includes case studies highlighting the importance of consumption for the formation of subjectivity, both in the pre-and post-war period, and range from analyzes of exhibition architectures and debated on standardization to the Co-Op movement and the gendering of taste. One of the contributors looks, for example, at the exhibition Modern Leisure, 1936, and explores how exhibitions were highly instrumental in the formation of the Swedish welfare state. Another contributor looks at how strategies of consumption are formulated in the political and architectural debates of the 1930s. The third and final section of the book deals with the problem of historiography on a broad level. The section also includes contributions from Roger Jonsson and Sven-Olov Wallenstein, who draw on the work of Michel Foucault and delineate a genealogical model of analysis that focuses on how architecture can take part in the production of subjectivity. AUTHORS Reinhold Martin is an Associate Professor at the Graduate School of Architecture, Planning, and Preservation, Columbia University, and Director of the Temple Hoyne Buell Center for Study of American Architecture, Columbia University. He is also partner in the firm Martin/Baxi Architects, New York. Penny Sparke is a Pro Vice-Chancellor and Professor of Design History at Kingston University, London. UK Joan Ockman is Director of the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University's Graduate School of Architecture, Planning and Preservation. She lives in Elkins Park, Pennsylvania. Helena Mattsson is an architect and researcher. She is teaching at the School of Architecture/Royal Institute of Technology, Stockholm. She is a member of the architectural collaboration Testbedstudio Stockholm, as well as of the editorial board of Site magazine. Sven-Olov Wallenstein teaches philosophy at the University College of Södertörn, and architectural theory at the Royal Institute of Technology, both in Stockholm, and is the editor-in-chief of Site. ILLUSTRATIONS 173 colour & b/w illustrations

The most complete survey of Nordic architecture available today.

A lavishly illustrated history of Sweden's most significant works of architecture is paired with capsule biographies of many of the region's top contributors, in a volume that includes coverage of such structures as the royal palace of Stockholm and the Pavilion at Haga.

The definitive monograph on Swedish modernist architect Sigurd Lewerentz. Sigurd Lewerentz (1885-1975) is one of the most highly revered--as well as one of the most heavily mythologized--protagonists of modern European architecture. Arguably Sweden's most distinguished modernist, he is more influential for architects around the world today than he was during his lifetime. Countless architecture lovers from around the world visit his buildings. Stockholm's woodland cemetery Skogskyrkogården, his most significant contribution to landscape design, is a UNESCO World Heritage Site. This authoritative new monograph on Sigurd Lewerentz is based on extensive research undertaken at ArkDes, Sweden's national center for architecture and design, where his archive and personal library are kept. It features a wealth of drawings and sketches, designs for furniture and interiors, model photographs, and more from his estate, most of which are published here for the first time, alongside new photographs of his realized buildings. Essays by leading experts explore Lewerentz's life and work, his legacy, and lasting significance from a contemporary perspective. This substantial, beautifully designed book offers the most comprehensive survey to date of Lewerentz's achievements in all fields of his multifaceted work.

Nicodemus Tessin the Elder was an architect, gentleman, and founder of the artistic dynasty that was immensely influential at the Swedish court in the seventeenth and eighteenth centuries. He was architect to the crown, to the nobility, and to the city of Stockholm, and he supplied buildings for a wide range of functions, from palaces to banks, courthouses, and fortifications. His unusually extensive travels in the Netherlands, Italy, France and Germany provided him with a comprehensive picture of contemporary European architecture, which he drew on as he synthesized a new group of buildings that would attract international attention as models for princely architecture. His productivity required a new approach to architecture, and he was part of the first generation of architects in northern Europe to develop the architectural studio, distinguishing the design process from the business of building, and in the process recreating himself as the modern architect. Kristoffer Neville is assistant professor of early modern art and architecturein the department of art history at the University of California, Riverside.