"Fay Jones School of Architecture, University of Arkansas Press, a collaboration, Fayettville 2014"--Page 4 of cover.

Honored with the 1990 American Institute of Architects Gold Medal for a lifetime of outstanding achievement, Fay Jones is an Arkansas original. In receiving the medal from Prince Charles of Great Britain, Jones was hailed as a “powerful and special genius who embodies nearly all the qualities we admire in an architect” and as an artist who used his vision to craft “mysterious and magical places” not only in Arkansas but all over the world. This book accompanied a special museum exhibit of Jones’s life and work at the Old State House in Little Rock. It traces Jones’s development from his early years as a student of Frank Lloyd Wright and Bruce Goff, to the culmination of his ability in such arresting structures as Pinecote Pavilion in Picayune, Mississippi; Thorncrown Chapel in Eureka Springs, Arkansas; and Chapman University Chapel in Orange, California. Through the black-and-white photographs of the homes, chapels, and other buildings that Jones has created and the accompanying captions and interviews of the architect, the reader is allowed a view into this man’s remarkable talent. Designing structures that fuse architecture and landscape, the organic and the man-made, Jones has created special places which touch their viewers with the power and subtlety of poetry. Herein we learn why. From the Foreword by Robert Adams Ivy Jr.: “Fay Jones’s architecture begins in order and ends in mystery. . . . His role can perhaps best be understood as mediator, a human consciousness that has arisen from the Arkansas soil and scoured the cosmos, then spoken through the voices of stone and wood, steel and glass. Art, philosophy, craft, and human aspiration coalesce in his masterworks, transformed from acts of will into harmonies: Jones lets space sing.”

From Fayetteville, Little Rock, and Hot Springs to Jonesboro, El Dorado, Arkadelphia, Texarkana, and scores of places in between, the latest volume in the Buildings of the United States series provides the most comprehensive, authoritative, and up-to-date guide to the architecture of Arkansas. The result of a lifetime's research and fieldwork by the esteemed historian and preservationist Cyrus A. Sutherland, this book captures the range and richness of the state's buildings and landscapes, whose stories can prove as fascinating and gripping as a novel's plotline. Nearly 500 building entries, accompanied by 250 illustrations and 24 maps, encompass the state's major regions--the Ozark Plateau, the Arkansas River Valley, the Ouachita Mountains, the West Gulf Coastal Plain, and the Mississippi Alluvial Plain (commonly known as the Delta). The places canvassed include everything from works by Arkansas natives E. Fay Jones and Edward Durell Stone to Sam Walton's Five-and-Ten and Alice Walton's Crystal Bridges Museum of American Art to Bill Clinton's birthplace and presidential library. The volume highlights the role and resilience of mountain, valley, and Mississippi River communities; surveys significant state and national parks; and traces the lively history of such resorts as Hot Springs and Eureka Springs. Along the way, it offers compelling accounts of sites from the well to the lesser known--the magnificent Toltec Mounds near Scott, the New Deal-era Dyess Colony, Tyronza's Southern Tenant Farmers Museum, the Rohwer Relocation Center and McGehee Japanese American Internment Museum, Central High School in Little Rock--and considers modern buildings that herald a renaissance in the state's cultural, economic, and political history.

The book reveals a new understanding of the ways that design shapes our lives and gives professionals and interested citizens the tools to seek out and demand designs that dignify.

One of the most comprehensive studies ever done on a state’s Jewish community, A Corner of the Tapestry is the story—untold until now—of the Jews who helped to settle Arkansas and who stayed and flourished to become a significant part of the state’s history and culture. LeMaster has spent much of the past sixteen years compiling and writing this saga. Data for the book have been collected in part from the American Jewish Archives, American Jewish Historical Society, the stones in Arkansas’s Jewish cemeteries, more than fifteen hundred articles and obituaries from journals and newspapers, personal letters from hundreds of present and former Jewish Arkansans, congregational histories, census and court records, and some four hundred oral interviews conducted in a hundred cities and towns in Arkansas. This meticulous work chronicles the lives and genealogy of not only the highly visible and successful Jews who settled in Arkansas, but also those who comprised the warp and woof of society. It is a decidedly significant contribution to Arkansas history as well as to the wider study of Jews in the nation.

A look at a life in architecture from the architect of the Rose Center at the American Museum of Natural History in New York and the Newseum in Washington, D.C. James Stewart Polshek has witnessed changing architectural tastes, worked with numerous high-profile personalities, and designed many of America’s most prominent buildings. His notable and immediately recognizable projects include the William J. Clinton Presidential Center in Little Rock, Arkansas, and the renovation and expansion of Carnegie Hall in New York City. Committed to principles of community, history, and environment, Polshek has devoted his fifty-plus-year career to serving the common good. In Build, Memory, he surveys his life’s work in an accessible personal narrative, with a focus on the process of designing a building and working with clients to implement their vision. A lively narrative and abundant imagery guide the reader through the sixteen diverse and important structures that Polshek has named the highlights of his active and impressive career, revealing details about the history and development of these buildings along the way.

Winner, 2017 Ned Shank Award for Outstanding Preservation Publication from Preserve Arkansas Shadow Patterns: Reflections on Fay Jones and His Architecture is a collection of critical essays and personal accounts of the man the American Institute of Architects honored with its highest award, the Gold Medal, in 1990. The essays range from the academic, with appreciations and observations by Juhanni Palaasma and Robert McCarter and Ethel Goodstein-Murphree, to personal reflections by clients and friends. Two of Arkansas’s most accomplished writers, Roy Reed and Ellen Gilchrist, who each live in Fay Jones houses, have provided intimate portrayals of what it’s like to live in, and manage the quirks of, a “house built by a genius,” where “light is everywhere. . . . Everything is quiet, and everything is a surprise,” as Gilchrist says. Through this compendium of perspectives, readers will learn about Jones’s personal qualities, including his strong will, his ability to convince other people of the rightness of his ideas, and yet his willingness, at times, to change his mind. We also enter into the work: powerful architecture like Stoneflower and Thorncrown Chapel and Pinecote Pavilion, along with private residences ranging from the modest to the monumental. And we learn about his relationship with his mentor, Frank Lloyd Wright. Shadow Patterns broadens and enriches our understanding of this major figure in American architecture of the twentieth century.