This volume addresses the entanglement between archaeology, imperialism, colonialism, capitalism, and war. Popular sentiment in the West has tended to embrace the adventure rather than ponder the legacy of archaeological explorers; allegations by imperial powers of "discovering" archaeological sites or "saving" world heritage from neglect or destruction have often provided the pretext for expanding political influence. Consequently, citizens have often fallen victim to the imperial war machine, seeing their lands confiscated, their artifacts looted, and the ancient remains in their midst commercialized. Spanning the globe with case studies from East Asia, Siberia, Australia, North and South America, Europe, and Africa, sixteen contributions written by archaeologists, art historians, and historians from four continents offer unusual breadth and depth in the assessment of various claims to patrimonial heritage, contextualized by the imperial and colonial ventures of the last two centuries and their postcolonial legacy.

These case studies offer new approaches to the analysis and interpretation of symbols in a variety of media and as expressed on a range of objects at different scales. This third volume in the Material Religion in Antiquity series stems from the First International Congress on the Archaeology of Symbols (ICAS I) that took place in Florence in May 2022. The archaeological process of reconstructing and understanding our past has undergone several reassessments in the last century, producing an equal number of new perspectives and approaches. The recent materiality turn emphasizes the necessity to ground those achievements in order to build fresh avenues of interpretation and reach new boundaries in the study of the human kind and its ecology. Symbols must not be conceived only as allegory but also, and perhaps mainly, as reason (raison d’être) and meaning (culture). They may be considered key elements leading to interpretation, not only in their physical manifestation but by being infused with the gestures, beliefs and intentions of their creators, created in a specific context and with a specific chaîne opératoire. In this volume a variety of case studies is offered, representing disparate ancient cultures in the Mediterranean and central Europe and the Near East. The thread that connects them revolves around the prominence of symbols and allegorical aspects in archaeology, whether they are considered as expressions of iconographic evidence, material culture or ritual ceremonies, seen from a multicultural perspective. This (and subsequent ICAS) volumes, therefore, aims to embrace all the different aspects pertaining to symbols in archaeology in a specific ‘place’, allowing the reader to deepen their knowledge of such a fascinating and multifaceted topic, by looking at it from a multicultural perspective.

Material culture - the objects made by man - provides the primary data from which archaeologists have to infer the economies, technologies, social organization and ritual practices of extinct societies. The analysis and interpretation ofmaterial culture is therefore central to any concern with archaeological theory and methodology, and in order to understand better the relationship between material culture and human behaviour, archaeologists need to draw upon models derived from the study of ethnographic societies. First published in 1982, this book presents the results of a series of field investigations carried out in Kenya, Zambia and the Sudan into the 'archaeological' remains and material culture of contemporary small-scale societies, and demonstrates the way in which objects are used as symbols within social action and within particular world views and ideologies.

"Archaeologist Genevieve von Petzinger looks past the horses, bison, ibex, and faceless humans in the ancient paintings and instead focuses on the abstract geometric images that accompany them. She offers her research on the terse symbols that appear more often than any other kinds of figures--signs that have never really been studied or explained until now"--

The papers in this volume represent a range of approaches to the study of the symbolic roles of animals in human cultures. The theme that unites these papers is their use of a variety of different kinds of evidenceincluding archaeological, faunal, historical, ethnographic, artistic, and folkloric datain the reconstruction of animal symbolism.

Presenting studies in Andean archaeology and iconography by leading specialists in the field, this volume tackles the question of how researchers can come to understand the intangible, intellectual worlds of ancient peoples. Archaeological Interpretations is a fascinating ontological journey through Andean cultures from the fourth millennium BC to the sixteenth century, A.D. Through evidence-based case studies, theoretical models, and methodological reflections, contributors discuss the various interpretations that can be derived from the traces of ritual activity that remain in the material record. They discuss how to accurately comprehend the social significance of artifacts beyond their practical use and how to decode the symbolism of sacred images. Addressing topics including the earliest evidence of shamanism in Ecuador, the meaning of masks among the Mochicas in Peru, the value of metal in the Recuay culture, and ceremonies of voluntary abandonment among the Incas, contributors propose original and innovative ways of interpreting the rich Andean archaeological heritage. Contributors: Luis Jaime Castillo Butters | Peter Eeckhout | Christine Hastorf | Abigail Levine | Geroge F. Lau | Frank Meddens | Charles S. Stanish | Edward Swenson | Gary Urton | Francisco Valdez

A key to the interpretation of rock art of the American Southwest, providing descriptions and illustrations of rock art symbols, along with their ascribed meanings, and including general and specific information on rock art sites.