The contents of this volume of essays in his honour gives a good overview of the fields in which Prof. Van Doorselaer has been active throughout his academic career. This book is especially an Album Amicorum, filled with reminiscences and intentions to continue the work. The voluminous size of this book may be considered as an adequate measure of the overall sympathy for Prof. Van Doorselaer. We hope that this publication may encourage him to remain active in the field of archaeology, and that the co-operation among colleagues, stimulated by this project, may be continued in the future.

The fifth millennium is characterized by far-flung contacts and a veritable flood of innovations. While its beginning is still strongly reminiscent of a broadly Linearbandkeramik way of life, at its end we find new, inter-regionally valid forms of symbolism, representation and ritual behaviour, changes in the settlement system, in architecture and in routine life. Yet, these inter-regional tendencies are paired with a profusion of increasingly small-scale archaeological cultures, many of them defined through pottery only. This tension between large-scale interaction and more local developments remains ill understood, largely because inter-regional comparisons are lacking. Contributors in this volume provide up-to-date regional overviews of the main developments in the fifth millennium and discuss, amongst others, in how far ceramically-defined 'cultures' can be seen as spatially coherent social groups with their own way of life and worldview, and how processes of innovation can be understood. Case studies range from the Neolithisation of the Netherlands, hunter-gatherer - farmer fusions in the Polish Lowlands, to the Italian Neolithic. Amongst others, they cover the circulation of stone disc-rings in western Europe, the formation of post-LBK societies in central Europe and the reliability of pottery as an indicator for social transformations.

This volume is dedicated to examining the role and impact of gender relations during socio-environmental transformation processes as well as matters of gender equality in archaeological academia across the globe.

This collection of papers explores whether the Lévi-Straussian notion of the House is a valid concept in aiding the comprehension of the social structure of Bronze Age Aegean societies. The volume succeeds in stressing the advances made in the study of social structure of the Aegean on the basis of material remains.

Presentatie van acht recent ontdekte Keltische goudschatten uit het zuiden van Nederland en België, bestaande uit gouden munten en gouden ornamenten, die een bijdrage leveren aan de archeologie, geschiedenis en numismatiek van de Keltische periode in de Lage Landen in de tijd vlak voor en tijdens de Romeinse verovering van Julius Caesar.

This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lore and the Grail quest. Several chapters of this book are overlaid with a chivalric veneer. A second "secret mission" to Portugal in 1437 by Jan van Eyck is postulated and this diplomatic visit is related to Prince Henry the Navigator's expedition to Tangier and King Duarte's attempts to forge an alliance with Alfonso V of Aragon. Late Eyckian commissions are reviewed in the light of this ill-fated crusade and additional new portraits are identified. The most significant artist of Renaissance Flanders appears to have been patronized as much by the House of Avis as by the Duchy of Burgundy. Barbara von Barghahn is Professor of Art History at George Washington University and a specialist in the art history of Portugal, Spain, and their colonial dominions, as well as Flanders. In 1993, she was conferred O Grao Comendador in the Portuguese Order of Prince Henry the Navigator. She has spent nearly a decade completing research about Jan van Eyck's diplomatic visits to the Iberian Peninsula.