This Handbook sets out the key issues and debates in the theory and practice of wetland archaeology which has played a crucial role in studies of our past. Due to the high quantity of preserved organic materials found in humid environments, the study of wetlands has allowed archaeologists to reconstruct people's everyday lives in great detail.

Maritime archaeology - the scientific investigation of the relics of past ships and seafaring - has come into being as a distinctive sub-discipline of archaeology only since the wartime invention of the aqualung. Keith Muckleroy sets out to define maritime archaeology, highlighting, on the one hand, factors that are unique to working under water and, on the other, problems of interpretation and method that are shared with its parent discipline archaeology.

The question of ethnicity is highly controversial in contemporary archaeology. Indigenous and nationalist claims to territory, often rely on reconstructions of the past based on the traditional identification of 'cultures' from archaeological remains. Sian Jones responds to the need for a reassessment of the ways in which social groups are identified in the archaeological record, with a comprehensive and critical synthesis of recent theories of ethnicity in the human sciences. In doing so, she argues for a fundamentally different view of ethnicity, as a complex dynamic form of identification, requiring radical changes in archaeological analysis and interpretation.

More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art. Tempering the much-adopted art-historical approach, D.W. Harding argues for a broader definition of Celtic art and views it within a much wider archaeological context. He re-asserts ancient Celtic identity after a decade of deconstruction in English-language archaeology. Harding argues that there were communities in Iron Age Europe that were identified historically as Celts, regarded themselves as Celtic, or who spoke Celtic languages, and that the art of these communities may reasonably be regarded as Celtic art. This study will be indispensable for those people wanting to take a fresh and innovative perspective on Celtic Art.

The destruction and deposition of metalwork is a widely recognised phenomenon across Bronze Age Europe. Weapons were decommissioned and thrown into rivers; axes were fragmented and piled in hoards; and ornaments were crushed, contorted and placed in certain landscapes. Interpretation of this material is often considered in terms of whether such acts should be considered ritual offerings, or functional acts for storing, scrapping and recycling the metal. This book approaches this debate from a fresh perspective, by focusing on how the metalwork was destroyed and deposited as a means to understand the reasons behind the process. To achieve this, this study draws on experimental archaeology, as well as developing a framework for assessing what can be considered deliberate destruction. Understanding these processes not only helps us to recognise how destruction happened, but also gives us insights into the individuals involved in these practices. Through an examination of metalwork from south-west Britain, it is possible to observe the complexities involved at a localised level in the acts of destruction and deposition, as well as how they were linked to people and places. This case study is used to consider the social role of destruction and deposition more broadly in the Bronze Age, highlighting how it transformed over time and space.

This study, first published in 1978, explores the evidence for pre-Roman settlement in Britain. Four aspects of the prehistoric economy are described by the author – colonisation and clearance; arable and pastoral farming; transhumance and nomadism; and hunting, gathering and fishing. These aspects have been brought together to formulate a structure which contains the evidence more naturally than chronological schemes that depend on assumed changes in population or technology. The book draws upon environmental evidence and recent developments in archaeological fieldwork. It also provides an extensive exploration of the published literature on the subject and the scope of the evidence. Originally conceived as an ‘ideas book’ rather than a final synthesis, the author’s intention throughout is to stimulate argument and research, and not to replace one dogma with another.

The Bronze Age represents the global emergence of a militarized society with a martial culture that constructed the warrior as a 'Hero' and warfare as 'Heroic'. The book takes a fresh look at warfare and its role in reshaping Bronze Age society from the Mediterranean to northern Europe.