There are at least nine texts calling themselves the "Apocalypse of Daniel." This text, written in Coptic, dates from the crusader period, a little after 1187 AD, and is extant in Ms. Paris, BNF copte. 58. It was published by Woide, Appendix ad editionem N. T. graeci e codici Alexandrino, Oxford, 1799, and translated into French by Frédéric Macler in 1896. The journal is online here, although non-US viewers must currently use an anonymizer in order to access it. In the manuscript which transmits the text to us, the book of Daniel appears, divided into thirteen "visions." It is then followed by this text, called the "Fourteenth vision."

Matthias Henze has prepared the editio princeps of the Syriac Apocalypse of Daniel, a hitherto unknown apocalypse composed in the early seventh century A.D. in Syriac and preserved in a single manuscript only. Following an introduction to the Apocalypse, the book includes an edition of the Syriac text, an English translation, and a detailed commentary.Like the biblical Daniel on which it is closely modelled, the Syriac Apocalypse of Daniel is an 'historical' apocalypse, i.e. it has two parts: the 'historical' first part relates the adventures of Daniel in midrashic form, from his deportation by Nebuchadnezzar until his return to Persia from Jerusalem which he visits with King Darius. Upon returning to Persia, Daniel has a sequence of apocalyptic visions which are recorded in the latter, eschatological part of the text and which describe the gradual unfolding of the end of time.The Syriac Apocalypse has preserved a number of motifs worth exploring: the messianic woes, the Gates of the North erected by Alexander the Great, a description of Antichrist's physiognomy, the Second Coming of Christ, and the new Jerusalem. Equally important, the Syriac Apocalypse of Daniel bears testimony to the vibrant apocalyptic currency in Syriac Christianity.

Daniel, with an Introduction to Apocalyptic Literture is Volume XX of The Forms of the Old Testament Literature, a series that aims to present a form-critical analysis of every book and each unit in the Hebrew Bible. Fundamentally exegetical, the FOTL volumes examine the structure, genre, setting, and intention of the biblical literature in question. They also study the history behind the form-critical discussion of the material, attempt to bring consistency to the terminology for the genres and formulas of the biblical literature, and expose the exegetical process so as to enable students and pastors to engage in their own analysis and interpretation of the Old Testament texts. In his introduction to Jewish apocalyptic literature, John J. Collins examines the main characteristics and discusses the setting and intention of apocalyptic literature. Collins begins his discussion of Daniel with a survey of the book's anomalies and an examination of the bearing of form criticism on them. He goes on to discuss the book's place in the canon and the problems with its coherence and bilingualism. Collins's section-by-section commentary provides a structural analysis (verse-by-verse) of each section, as well as discussion of its genre, setting, and intention. The book includes bibliographies and a glossary of genres and formulas that offers concise definitions with examples and bibliography.

Accessible to students of all religious backgrounds, this survey text covers every book in the canon and explains the historical and literary problems posed by the biblical texts. Comprehensive yet concise, groundbreaking in scholarship, and rich in pedagogical tools, this is an ideal textbook for one-semester courses on the Bible. Features “Questions for review and reflection”, full colour illustrations (including maps, time lines, charts and photos), “What to expect”, and “At a glance” sections, as well as sections presenting certain issues in more depth.

The four kingdoms motif enabled writers of various cultures, times, and places, to periodize history as the staged succession of empires barrelling towards an utopian age. The motif provided order to lived experiences under empire (the present), in view of ancestral traditions and cultural heritage (the past), and inspired outlooks assuring hope, deliverance, and restoration (the future). Four Kingdom Motifs before and beyond the Book of Daniel includes thirteen essays that explore the reach and redeployment of the motif in classical and ancient Near Eastern writings, Jewish and Christian scriptures, texts among the Dead Sea Scrolls, Apocrypha and pseudepigrapha, depictions in European architecture and cartography, as well as patristic, rabbinic, Islamic, and African writings from antiquity through the Mediaeval eras.