For the first thirteen years of her life, Flor Edwards grew up in the Children of God. The group's nomadic existence was based on the belief that, as God's chosen people, they would be saved in the impending apocalypse that would envelop the rest of the world in 1993. Flor would be thirteen years old. The group's charismatic leader, Father David, kept the family on the move, from Los Angeles to Bangkok to Chicago, where they would eventually disband, leaving Flor to make sense of the foreign world of mainstream society around her. Apocalypse Child is a cathartic journey through Flor's memories of growing up within a group with unconventional views on education, religion, and sex. Whimsically referring to herself as a real life Kimmy Schmidt, Edwards's clear-eyed memoir is a story of survival in a childhood lived on the fringes.

BORN INTO A MULTI RACIAL FAMILY OF A NIGERIAN FATHER AND A CAUCASIAN MOTHER, Isabella an evil child is on a mission to bring pain and misery to her loving parents. She has done this on four occasions. Will she succeed again despite many obstacles and a mother who is determined to make her stay? Rachel was born into wealth and married to the love of her life.Her perfect life was shattered by the mysterious deaths of her babies after birth and now Isabella, her fifth & only surviving child, about to celebrate her 14th birthday has started showing signs all too familiar to her. Rachel is prepared to go to any length to save her little girl. The Apocalypse Child is a psychological thriller that depicts the battle of conflicting wills.

Ellen White’s two thousand visions, revered by her twenty million disciples, were doctrinally inspired by William Miller, who fathered the largest millennial movement in US history. He and Samuel Snow, during the movement’s climax, the “Midnight Cry,” predicted Christ’s Second Coming for exactly October 22, 1844, on the basis of fifteen proof-texts. Ellen was twelve, suffering from severe brain trauma and the conviction that she was hell-bound, when Miller converted her. By sixteen she became convicted that she was having divine dreams and visions confirming Miller’s prophetic role and message. When Miller’s predictions failed and he repudiated his own predictions, Ellen announced that God had commanded her to endorse Miller’s failed “Midnight Cry” as divinely inspired, and her authority replaced Miller’s in the “shut-door” faction of ex-Millerites who evolved into the Seventh-day Adventist church. Miller claimed that his dogmas were the result of merely allowing the Bible to interpret itself and that his method was literal commonsense. White seconded this claim and said God’s angels routinely guided Miller’s interpretations. However, not only were his interpretations falsified, but examination reveals them to be farfetched allegorical treatments of parables. Nonetheless, White’s visions and SDA theology still retain many of Miller’s falsified predictions.

This is not the Africa of Isak Dinesen, nor the Africa of Joy Adamson. This is the Africa of civil wars and tribal massacres, where the Lord’s Resistance Army recruits child-soldiers after forcing them to kill their parents and eat their hearts. The aid workers who voluntarily subject themselves to life here are a breed of their own. Meet Hickey, an American school teacher in his late thirties, an American school teacher who burns his bridges with the school board and goes to Africa as an aid worker. Working for an agency in Nairobi, one of his jobs is to drive food and medical supplies to Southern Sudan to an aid station run by Ruth, a middle-aged woman, who acts as nurse, doctor, hospice worker, feeder of starving children, and witness. Ruth is gruff but efficient, and Hickey, who is usually drawn to youth and beauty, is struck by her devotion. Returning to Nairobi, he can’t forget what he has seen. When the violence and chaos in the region increase to a fever pitch and aid workers are being slaughtered or evacuated, Hickey is asked to save Ruth overland by Jeep. What happens to them and the children that have joined their journey is the searing climax of this novel. Hoagland paints an unflinching portrait of a living hell at its worst, and yet amid that suffering there is hope in the form of humility, sacrifice, and life-affirming friendship.

Parenting is difficult under the best of circumstances--but extremely daunting when humanity faces cataclysmic annihilation. When the dead rise, hardship, violence and the ever-present threat of flesh-eating zombies will adversely affect parents and children alike. Depending on their age, children will have little chance of surviving a single encounter with the undead, let alone the unending peril of the Zombie Apocalypse. The key to their survival--and thus the survival of the species--will be the caregiving they receive. Drawing on psychological theory and real-world research on developmental status, grief, trauma, mental illness, and child-rearing in stressful environments, this book critically examines factors influencing parenting, and the likely outcomes of different caregiving techniques in the hypothetical landscape of the living dead.

Drawing on different understandings of feminisms, this volume archives the ways in which we engage with feminisms and imagine the mundane as a feminist site of resistance against multiple and intersectional marginalisation and oppression. How individual subjects come to their feminist praxis through autoethnographic and other qualitative accounts, and how they offer resistant and decolonial strategies via reflection on their lived and embodied realities. Plural Feminisms spurs a discussion on how structural violence is identified and resisted, and the invisible and emotional labour that goes on behind this resistance. The book documents the resistance strategies feminists employ on a daily basis to survive, and to form and sustain dissident kinships, that remain unread, unheard, overlooked, and excluded from dominant discourses of being and becoming. Through autoethnography, feminist, queer and/or trans and genderqueer, indigenous, Black and racialised, disabled and neurodivergent scholars in the academy reflect on their engagement with feminisms as well as their unique resistance methods-embracing and exploring complexities and challenges that both entail. It foregrounds the critical importance of first-person narratives in developing an expansive understanding of what it means to be a feminist, the different narratives and forms that resistance takes, and the socio-cultural value of subversion.

Sid, Axl, and Ivan volunteer to make a late-night fast-food run for the high school theater crew, and when they return, they find themselves. Not in a deep, metaphoric sense: They find copies of themselves onstage. As they look closer, they begin to realize that the world around them isn’t quite right. Turns out, when they went to the taco place across town, they actually crossed into an alien dimension that’s eerily similar to their world. The aliens have made sinister copies of cars, buildings, and people—and they all want to get Sid, Axl, and Ivan. Now the group will have to use their wits, their truck, and even their windshield scraper to escape! But they may be too late. They may now be copies themselves . . .