Built on sugar, slaves, and piracy, Jamaica's Port Royal was the jewel in England's quest for Empire until a devastating earthquake sank the city beneath the sea A haven for pirates and the center of the New World's frenzied trade in slaves and sugar, Port Royal, Jamaica, was a notorious cutthroat settlement where enormous fortunes were gained for the fledgling English empire. But on June 7, 1692, it all came to a catastrophic end. Drawing on research carried out in Europe, the Caribbean, and the United States, Apocalypse 1692: Empire, Slavery, and the Great Port Royal Earthquake by Ben Hughes opens in a post-Glorious Revolution London where two Jamaica-bound voyages are due to depart. A seventy-strong fleet will escort the Earl of Inchiquin, the newly appointed governor, to his residence at Port Royal, while the Hannah, a slaver belonging to the Royal African Company, will sail south to pick up human cargo in West Africa before setting out across the Atlantic on the infamous Middle Passage. Utilizing little-known first-hand accounts and other primary sources, Apocalypse 1692 intertwines several related themes: the slave rebellion that led to the establishment of the first permanent free black communities in the New World; the raids launched between English Jamaica and Spanish Santo Domingo; and the bloody repulse of a full-blown French invasion of the island in an attempt to drive the English from the Caribbean. The book also features the most comprehensive account yet written of the massive earthquake and tsunami which struck Jamaica in 1692, resulting in the deaths of thousands, and sank a third of the city beneath the sea. From the misery of everyday life in the sugar plantations, to the ostentation and double-dealings of the plantocracy; from the adventures of former-pirates-turned-treasure-hunters to the debauchery of Port Royal, Apocalypse 1692 exposes the lives of the individuals who made late seventeenth-century Jamaica the most financially successful, brutal, and scandalously corrupt of all of England's nascent American colonies.

The Witchcraft Sourcebook, now in its second edition, is a fascinating collection of documents that illustrates the development of ideas about witchcraft from ancient times to the eighteenth century. Many of the sources come from the period between 1400 and 1750, when more than 100,000 people - most of them women - were prosecuted for witchcraft in Europe and colonial America. During these years the prominent stereotype of the witch as an evil magician and servant of Satan emerged. Catholics and Protestants alike feared that the Devil and his human confederates were destroying Christian society. Including trial records, demonological treatises and sermons, literary texts, narratives of demonic possession, and artistic depiction of witches, the documents reveal how contemporaries from various periods have perceived alleged witches and their activities. Brian P. Levack shows how notions of witchcraft have changed over time and considers the connection between gender and witchcraft and the nature of the witch's perceived power. This second edition includes an extended section on the witch trials in England, Scotland and New England, fully revised and updated introductions to the sources to include the latest scholarship and a short bibliography at the end of each introduction to guide students in their further reading. The Sourcebook provides students of the history of witchcraft with a broad range of sources, many of which have been translated into English for the first time, with commentary and background by one of the leading scholars in the field.

One of The New Yorker’s Best Books of the Year Named one of the Most Memorable Music Books of the Year by No Depression: The Journal of Roots Music “Compelling.… [R]eveals [an instrument] intimately rooted in the African diaspora and capable of expressing flights of sorrow and joy.” —David Yezzi, Wall Street Journal An illuminating history of the banjo, revealing its origins at the crossroads of slavery, religion, and music. In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo’s key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo’s beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood. Gaddy shows how the enslaved carried this unique instrument as they were transported and sold by slaveowners throughout the Americas, to Suriname, the Caribbean, and the colonies that became U.S. states, including Louisiana, South Carolina, Maryland, and New York. African Americans came together at rituals where the banjo played an essential part. White governments, rightfully afraid that the gatherings could instigate revolt, outlawed them without success. In the mid-nineteenth century, Blackface minstrels appropriated the instrument for their bands, spawning a craze. Eventually the banjo became part of jazz, bluegrass, and country, its deepest history forgotten.

Religion. For thousands of years this thing has dictated which people should live and which people should die, what shape our buildings should have or what colors our garments should contain, what food people should eat or what words people should speak. If religion is the opium of the masses, then beliefs about the end of the world are like overdoses. People touched by such beliefs no longer rely on a hidden, personal and intimate god, contemplated upon from the safe distance of the beating human heart. They live with the promise of divine intervention at a grand scale on the current coordinates of space and time. This can be an exceptional motivator and a game changer in terms of civil obedience, both at an individual and collective level. In the name of an immediate and palpable deity people can commit shocking cruelties. However, such belief can also account for some of the most exceptional social developments in human history.

Based on extensive primary source research, In the Shadow of Salem: The Andover Witch Hunt of 1692, by historian and archivist Richard Hite, tells for the first time the fascinating story of this long overlooked phase of the largest witch hunt in American history. Untangling a net of rivalries and ties between families and neighbors, the author explains the actions of the accusers, the reactions of the accused, and their ultimate fates. In the process, he shows how the Andover arrests prompted a large segment of the town's population to openly oppose the entire witch hunt and how their actions played a crucial role in finally bringing the 1692 witchcraft crisis to a close.