Apex Magazine is a digital dark science fiction and fantasy genre zine that features award-winning short fiction, essays, and interviews. Established in 2009, our fiction has won several Hugo and Nebula Awards. EDITORIAL Musings from Maryland by Lesley Conner ORIGINAL SHORT FICTION On the Sunlit Side of Venus by Benjamin Parzybok The Day When the Last War is Over by Sergey Gerasimov The Skinless Man Counts to Five by Paul Jessup Nothing that Bleeds by Leah Ning Kings and Popes and Saints by Jon Hansen Ten Steps for Effective Mold Removal by Derrick Boden CLASSIC FICTION Brief Life Story of Lila by Danny Cherry, Jr. Something New for the Silent by Zig Zag Claybourne HOLIDAY HORRORS TOP 3 Stringy by Carlie St. George Triangle Eyes by Chris Clemens Feast or Famine Rulebook by Anna Madden NONFICTION Come On, Younglings, We’re Not Totally Screwed by Brandon Crilly Getting Unstuck by Martha Wells REVIEWS Words for Thought: Short Fiction Review by AC Wise INTERVIEWS Interview with Author Sergey Gerasimov by Marissa van Uden Interview with Author Derrick Boden by Marissa van Uden Interview with Artists Angelica Alzona, Alyssa Winans, and Pamela Zhang by Bradley Powers

Strange. Surreal. Shocking. Beautiful. APEX MAGAZINE is a digital dark science fiction and fantasy genre zine that features award-winning short fiction, essays, and interviews. Established in 2009, our fiction has won several Hugo and Nebula Awards. We publish every other month. Issue 139 contains the following short stories, essays, reviews, and interviews. EDITORIAL Musings from Maryland by Lesley Conner ORIGINAL SHORT FICTION The Monster Fucker Club by A.V. Greene Dolly Girl by Christopher Rowe Island Circus by Amal Singh But I Loved You by Sachiko Ragosta The Discarded Ones by Linda Niehoff The Magazine of Horror by Oghenechovwe Donald Ekpeki FLASH FICTION Gim of P by Benjamin DeHaan You and Me and The End by Mona West CLASSIC FICTION A Young Zombie in Crisis by Walidah Imarisha You Without Me by Endria Isa Richardson NONFICTION Outside of Language: Genndy Tartakovsky's Primal by Andrea Johnson Renfield: Blood is the Life (But Only If Necessary) by Rick Hipson INTERVIEWS Interview with Author A.V. Greene by Marissa van Uden Interview with Author Sachiko Ragosta by Marissa van Uden Interview with Artist Lauren Raye Snow by Bradley Powers

Instagram sensation Clark Little shares his most remarkable photographs from inside the breaking wave, with a foreword by world surfing champion Kelly Slater. “One of the world’s most amazing water photographers . . . Now we get to experience up-close these moments of bliss.”—Jack Johnson, musician and environmentalist Surfer and photographer Clark Little creates deceptively peaceful pictures of waves by placing himself under the deadly lip as it is about to hit the sand. "Clark's view" is a rare and dangerous perspective of waves from the inside out. Thanks to his uncanny ability to get the perfect shot--and live to share it--Little has garnered a devout audience, been the subject of award-winning documentaries, and become one of the world's most recognizable wave photographers. Clark Little: The Art of Waves compiles over 150 of his images, including crystalline breaking waves, the diverse marine life of Hawaii, and mind-blowing aerial photography. This collection features his most beloved pictures, as well as work that has never been published in book form, with Little's stories and insights throughout. Journalist Jamie Brisick contributes essays on how Clark gets the shot, how waves are created, swimming with sharks, and more. With a foreword by eleven-time world surfing champion Kelly Slater and an afterword by the author on his photographic practice and technique, Clark Little: The Art of Waves offers a rare view of the wave for us to enjoy from the safety of land.

Ki is a petty thief. Her best friend wills her his solo-flyer-call it a space motorcycle: temperamental, fast as hell, and expensive to maintain. Any reasonable person would sell it to get off the street, but Ki isn't reasonable.Margot is a military vet at loose ends. She blows her entire back pay on a solo-flyer, adecision she instantly regrets but can't bring herself to undo. Margot meets Ki and thinks she's the sympathetic friend she needs when she feels most alone. Ki thinks Margot is an easy markfor food money. They're both right, but lunch leads to a joy ride to planet Ratana, whereMargot is arrested by border control.Ki enlists Ratanese local Zuleikah, a bored rich girl who can think of no stupider, and therefore better, way to spend her time than busting someone out of jail. Together they rescue Margot, but find themselves trapped on a hostile planet on the cusp of civil war.When Zuleikah convinces them that their best bet for escape is to kidnap-er, rescue-Prince Thane from his dreary role in the crumbling monarchy, it results in a chase across the desert and into the farthest reaches of the universe. If they can learn to trust each other, and if the repo men, cops, and three different galactic governments don't catch them, the Galactic Hellcats might just use their solo-fliers to carve a place for themselves among the stars.

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A kaleidoscopic survey of black satire in 20th- and 21st-century American art In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century—in all their complexity, humor, and provocation—Powell raises important questions about the social power of art. Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art.