The story of the Apaches is a fascinating tale of courage, tradition, and adaptation. Readers discover the rich history of these people including journeys through harsh climates, battles for land, and modern economic difficulties, between areas such as the Great Plains and the deserts of the Southwest. What emerges is a portrait of a resilient people, and readers learn how the Apaches have been able to adapt to the many changes they have experienced throughout their history while still holding on to the traditions that define them. Historical artwork and captivating photographs are accompanied by facts and firsthand accounts about Apache life in both the past and the present.

An introduction to the culture, customs, beliefs, and practices of the Apache Indians that explores how the tribe struggles to keep their history alive in modern times.

This volume describes in detail two collections of Western Apache artifacts from east-central Arizona. The materials, belonging to the Arizona State Museum, range in age from the mid-1800's to the present and represent a thorough cross-section of tools, clothing, religious paraphernalia, and games.

In the 1970s, the White Mountain Apache Tribe and the Arizona Historical Society began working together on a series of innovative projects aimed at preserving, perpetuating, and sharing Apache history. Underneath it all was a group of people dedicated to this important goal. Dispatches from the Fort Apache Scout is the latest outcome of that ongoing commitment. The book showcases and annotates dispatches published between June 1973 and October 1977, in the tribe’s Fort Apache Scout newspaper. This twenty-eight-part series of articles shared Western Apache culture and history through 1881 and the Battle of Cibecue, emphasizing early encounters with Spanish, Mexican, and American outsiders. Along the way, rich descriptions of Ndee ties to the land, subsistance, leadership, and values emerge. The articles were the result of the dogged work of journalist, librarian, and historian Lori Davisson along with Edgar Perry, a charismatic leader of White Mountain Apache culture and history programs, and his staff who prepared these summaries of historical information for the local readership of the Scout. Davisson helped to pioneer a mutually beneficial partnership with the White Mountain Apache Tribe. Pursuing the same goal, Welch’s edited book of the dispatches stakes out common ground for understanding the earliest relations between the groups contesting Southwest lands, powerfully illustrating how, as elder Cline Griggs, Sr., writes in the prologue, “the past is present.” Dispatches from the Fort Apache Scout is both a tribute to and continuation of Davisson’s and her colleagues’ work to share the broad outlines and unique details of the early history of Ndee and Ndee lands.

The story of the Apaches is a fascinating tale of courage, tradition, and adaptation. Readers discover the rich history of these people including journeys through harsh climates, battles for land, and modern economic difficulties, between areas such as the Great Plains and the deserts of the Southwest. What emerges is a portrait of a resilient people, and readers learn how the Apaches have been able to adapt to the many changes they have experienced throughout their history while still holding on to the traditions that define them. Historical artwork and captivating photographs are accompanied by facts and firsthand accounts about Apache life in both the past and the present.

WHITE PAINTED WOMAN appears in ancient myths of the Chiricahua Apaches as the virgin mother of the people and the origin of women's ceremonies. Such Chiricahua myths and traditions have closely prescribed the roles of women in relation to their husbands and children, to relatives and extended families, and to the band or tribe. One of those roles is to safeguard and hand on to the next generation the lore and customs of the people. In this way, Chiricahua women have served as safekeepers of a heritage that is now endangered. For more than a decade, H. Henrietta Stockel has moved with remarkable freedom and intimacy among the Chiricahuas, especially in the women's friendship circles. With their permission and even blessing, she has observed and recorded aspects of their traditional culture that otherwise might be lost to history. Chiricahua Apache Women and Children, written in a familiar, personal style, focuses on the duties and experiences of historical Chiricahua Apache women and the significant influences they have exerted within the family and the tribe at large. After beginning with a look at creation myths, Stockel turns to family patterns and roles. She describes in detail the puberty ceremony she has repeatedly witnessed, a ceremony little known by those outside the band. Stockel looks also at the alternative lifestyle, also culturally prescribed, of four women warriors. She concludes with Mildred Cleghorn, a contemporary "woman warrior" who was chairperson of the Fort Sill Chiricahua/Warm Springs Apache Tribe in Oklahoma for nearly twenty years and who was also Stockel's close friend and "Apache mother". Beautifully complemented with thirty-two black-and-whiteillustrations of women, children, and family life, Chiricahua Apache Women and Children offers a vivid glimpse into traditional Chiricahua Apache women's lifestyles.

As in many Native American communities, people on the San Carlos Apache reservation in southeastern Arizona have for centuries been exposed to contradictory pressures. One set of expectations is about conversion and modernizationÑspiritual, linguistic, cultural, technological. Another is about steadfast perseverance in the face of this cultural onslaught. Within this contradictory context lies the question of what validates a sense of Apache identity. For many people on the San Carlos reservation, both the traditional calls of the Mountain Spirits and the hard edge of a country, rock, or reggae song can evoke the feeling of being Apache. Using insights gained from both linguistic and musical practices in the communityÑas well as from his own experience playing in an Apache country bandÑDavid Samuels explores the complex expressive lives of these people to offer new ways of thinking about cultural identity. Samuels analyzes how people on the reservation make productive use of popular culture forms to create and transform contemporary expressions of Apache cultural identity. As Samuels learned, some popular songsÑsuch as those by Bob MarleyÑare reminiscent of history and bring about an alignment of past and present for the Apache listener. Thinking about Geronimo, for instance, might mean one thing, but "putting a song on top of it" results in a richer meaning. He also proposes that the concept of the pun, as both a cultural practice and a means of analysis, helps us understand the ways in which San Carlos Apaches are able to make cultural symbols point in multiple directions at once. Through these punning, layered expressions, people on the reservation express identities that resonate with the complicated social and political history of the Apache community. This richly detailed study challenges essentialist notions of Native American tribal and ethnic identity by revealing the turbulent complexity of everyday life on the reservation. Samuels's work is a multifaceted exploration of the complexities of sound, of language, and of the process of constructing and articulating identity in the twenty-first century.