In the last third of the nineteenth century, the discourse on the “Jewish question” in the Habsburg crownlands of Galicia changed fundamentally, as clerical and populist politicians emerged to denounce the Jewish assimilation and citizenship. This pioneering study investigates the interaction of agitation, violence, and politics against Jews on the periphery of the Danube monarchy. In its comprehensive analysis of the functions and limitations of propaganda, rumors, and mass media, it shows just how significant antisemitism was to the politics of coexistence among Christians and Jews on the eve of the Great War.

In the spring of 1898, thousands of peasants and townspeople in western Galicia rioted against their Jewish neighbors. Attacks took place in more than 400 communities in this northeastern province of the Habsburg Monarchy, in present-day Poland and Ukraine. Jewish-owned homes and businesses were ransacked and looted, and Jews were assaulted, threatened, and humiliated, though not killed. Emperor Franz Joseph signed off on a state of emergency in thirty-three counties and declared martial law in two. Over five thousand individuals—peasants, day-laborers, city council members, teachers, shopkeepers—were charged with myriad offenses. Seeking to make sense of this violence and its aftermath, The Plunder examines the circulation of antisemitic ideas within Galicia against the political backdrop of the Habsburg state. Daniel Unowsky sees the 1898 anti-Jewish riots as evidence not of Galician backwardness and barbarity, but of a late nineteenth-century Europe reeling from economic, cultural, and political transformations wrought by mass politics, literacy, industrialization, capitalist agriculture, and government expansion. Through its nuanced analysis of the riots as a form of "exclusionary violence," this book offers new insights into the upsurge of the antisemitism that accompanied the emergence of mass politics in Europe at the turn of the twentieth century.

In the 1930s, through the prose of Bruno Schulz (1892–1942), the Polish language became the linguistic raw material for a profound exploration of the modern Jewish experience. Rather than turning away from the language like many of his Galician Jewish colleagues who would choose to write in Yiddish, Schulz used the Polish language to explore his own and his generation's relationship to East European Jewish exegetical tradition, and to deepen his reflection on golus or exile as a condition not only of the individual and of the Jewish community, but of language itself, and of matter. Drawing on new archival discoveries, this study explores Schulz's diasporic Jewish modernism as an example of the creative and also transient poetic forms that emerged on formerly Habsburg territory, at the historical juncture between empire and nation-state.

This innovative collection of essays on the upsurge of antisemitism across Europe in the decades around 1900 shifts the focus away from intellectuals and well-known incidents to less-familiar events, actors, and locations, including smaller towns and villages. This "from below" perspective offers a new look at a much-studied phenomenon: essays link provincial violence and antisemitic politics with regional, state, and even transnational trends. Featuring a diverse array of geographies that include Great Britain, France, Austria-Hungary, Romania, Italy, Greece, and the Russian Empire, the book demonstrates the complex interplay of many factors--economic, religious, political, and personal--that led people to attack their Jewish neighbors.

In the nineteenth century, the largest Jewish community the modern world had known lived in hundreds of towns and shtetls in the territory between the Prussian border of Poland and the Ukrainian coast of the Black Sea. The period had started with the partition of Poland and the absorption of its territories into the Russian and Austro-Hungarian empires; it would end with the first large-scale outbreaks of anti-Semitic violence and the imposition in Russia of strong anti-Semitic legislation. In the years between, a traditional society accustomed to an autonomous way of life would be transformed into one much more open to its surrounding cultures, yet much more confident of its own nationalist identity. In The Jews of Eastern Europe, Israel Bartal traces this transformation and finds in it the roots of Jewish modernity.

The triumph of Zionism has clouded recollection of competing forms of Jewish nationalism vying for power a century ago. This study explores alternative ways to construct the modern Jewish nation. Jewish nationalism emerges from this book as a Diaspora phenomenon much broader than the Zionist movement. Like its non-Jewish counterparts, Jewish nationalism was first and foremost a movement to nationalize Jews, to construct a modern Jewish nation while simultaneously masking its very modernity. Diaspora Nationalism and Jewish Identity in Habsburg Galicia traces this process in what was the second largest Jewish community in Europe, Galicia. The history of this vital but very much understudied community of Jews fills a critical lacuna in existing scholarship while revisiting the broader question of how Jewish nationalism - or indeed any modern nationalism - was born. Based on a wide variety of sources, many newly uncovered, this study challenges the still-dominant Zionist narrative by demonstrating that Jewish nationalism was a part of the rising nationalist movements in Europe.

"In daily accounts, Ansky details his struggles: to raise funds; to lobby and bribe at the czar's court; and to procure and transport food, medicine, and money to the ravaged Jewish towns, which, in the course of the war, were conquered and reconquered by Cossacks, Germans, Polish mercenaries, and Russian revolutionaries. Ansky depicts scenes of devastation - convoys of refugees, towns looted and burned to the ground, villagers taken hostage and raped, prey to all comers. Speaking to maids and ministers, farmers and recruits, doctors and profiteers, Ansky hears and sees it all, as the czar's army disintegrates and the winds of revolution sweep across the land."--BOOK JACKET.