From American cardiologist Robert Louis Smith comes the unique fantasy novel Antiquitas Lost, peppered with more than seventy eye-popping illustrations by Marvel Comics legend Geof Isherwood. This epic fantasy tells the story of a boy named Elliott, a lonesome kid with deformities on his hands and feet, who is uprooted from his home after his mother falls gravely ill. When they move to New Orleans so his grandfather can help care for her, Elliott learns that the old man's eighteenth century mansion hides an ancient secret. While checking out some strange relics in the basement, Elliott strays through an ancient doorway into a tumultuous parallel world, full of bizarre creatures and warring races. He has stumbled into Pangrelor, the most ancient of all worlds and "mother to all the stars in the sky." As he learns to navigate his new surroundings, he discovers wondrous abilities he never dreamed he possessed, and an abiding connection to the primitive, alien world that will forever change him. But he must proceed carefully. For he soon learns that his actions in the ancient world will impact the upcoming battle for Harwelden, Pangrelor's greatest civilization, and will also resonate all the way back to New Orleans, perhaps deciding whether his mother lives or dies.

A compelling alternative account of the history of knowledge from the Renaissance to the Enlightenment Until now the history of knowledge has largely been about formal and documented accumulation, concentrating on systems, collections, academies, and institutions. The central narrative has been one of advancement, refinement, and expansion. Martin Mulsow tells a different story. Knowledge can be lost: manuscripts are burned, oral learning dies with its bearers, new ideas are suppressed by censors. Knowledge Lost is a history of efforts, from the Renaissance to the Enlightenment, to counter such loss. It describes how critics of ruling political and religious regimes developed tactics to preserve their views; how they buried their ideas in footnotes and allusions; how they circulated their tracts and treatises in handwritten copies; and how they commissioned younger scholars to spread their writings after death. Filled with exciting stories, Knowledge Lost follows the trail of precarious knowledge through a series of richly detailed episodes. It deals not with the major themes of metaphysics and epistemology, but rather with interpretations of the Bible, Orientalism, and such marginal zones as magic. And it focuses not on the usual major thinkers, but rather on forgotten or half-forgotten members of the “knowledge underclass,” such as Pietro della Vecchia, a libertine painter and intellectual; Charles-César Baudelot, an antiquarian and numismatist; and Johann Christoph Wolf, a pastor, Hebrew scholar, and witness to the persecution of heretics. Offering a fascinating new approach to the intellectual history of early modern Europe, Knowledge Lost is also an ambitious attempt to rethink the very concept of knowledge.

This is a print on demand book and is therefore non- returnable. Though buffeted on all sides by rapid and at times cataclysmic social, political, and economic change, the medieval church was able to make adjustments that kept it from becoming simply a fossil from the past rather than an enduring institution of salvation. The dynamic interaction between the medieval church and society gives form to this compelling and well-informed study by Adriaan Bredero. By considering medieval Christianity in full relation to its historical context, Bredero elucidates complex medieval realities -- many of which run counter to common modern notions about the Middle Ages. Bredero moves beyond the usual treatment of history by framing his overall discussion in terms of a fascinating and relevant question: To what extent is Christianity today still molded by medieval society? The book begins with an overview of religion and the church in medieval society, from the early Christianization of Western Europe through the fifteenth century. Bredero counters earlier romanticized assessments of the Middle Ages as a thoroughly Christian period by arriving at a definition of Christendom, not in its original sense as the empire of Charlemagne, but rather as "the countries, people, and matters which stood under the influence of Christ."

Bredero moves beyond the usual treatment of history by framing his overall discussion in terms of a fascinating and relevant question: To what extent is Christianity today still molded by medieval society?

This groundbreaking collection brings the Middle Ages to life and conveys the distinctiveness of this diverse, constantly changing period. Thirty-eight scholars bring together one medieval world from many disparate worlds, from Connacht to Constantinople and from Tynemouth to Timbuktu. This extraordinary set of reconstructions presents the reader with a vivid re-drawing of the medieval past, offering fresh appraisals of the evidence and modern historical writing. Chapters are thematically linked in four sections: identities beliefs, social values and symbolic order power and power-structures elites, organizations and groups. Packed full of original scholarship, The Medieval World is essential reading for anyone studying medieval history.