Marbles evoke memories of childhood and simpler times; perhaps this is why they are collected with such enthusiasm! Marble fans won't want to go without this fantastic reference, which has been the standard collecting guide since its first publication nearly 35 years ago. Collecting Antique Marbles not only provides up-to-date pricing information, it provides collecting tips and advice on the hobby every collector should know. This long-awaited 4th edition provides a full-color look at the rarest and most collectible marbles in the world, aiding in identification and giving marble enthusiasts an eyeful of what's out there. A history of marble types and manufacturers is included in the book, as well as important information on spotting fakes and reproductions. A new chapter on Carpet Bowls joins updated chapters on German Swirls, Onionskins, Clambroths and Indians; Lutz; Sulphides and End-of-Day; Transition and Machine-Made, and many more.

Swirl marbles comprise one of the largest categories of antique marbles. With 851 color photograph, this book displays swirl marbles from banded and clambroth swirls to latticinio core and ribbon core swirls. The text explains each swirl marble type and provides tables of prices.

More than 500 color photos display marbles of all types, including Indians, Aggies, Steelies, transitionals, M.F. Christensen & Son, Akro Agate and more.

A first-of-kind book on marble collecting for beginners interested in learning about how to identify and value old marbles.

Over 590 color photos display machine-made marbles from the twentieth century, including the most extensive collection of marble packaging ever assembled. Marble factories whose products and packaging are displayed include Akro Agate, Christiansen Agate, Davis Marble, Heaton Agate, Kokomo Opalescent, Libbey-Owens-Ford, Marble King, Peltier, Ravenswood, and Vitro. Values are included in the captions.

Marble in Ancient Greece and Rome: Geology, Quarries, Commerce, Artifacts Marble remains the sine qua non raw material of the an cient Greeks and Romans. Beginning in the Bronze Age sculptu re began in marble and throughout classical times the most im portant statues, reliefs, monuments and inscriptions were made of it. Yet, quarry sources changed in time as preferences for different marbles were influenced by local traditions, the pos sibilities of transport, esthetic tastes, and economics. Marble studies and the identification of the provenance of marble can thus reveal much about Greek and Roman history, trade, esthe tics and technology. Persons in many disciplines are studying various aspects of Greek and Roman marble usage. Geologists and geochemists are working on methods to determine the provenance of marble; ar chaeologists are noting changing patterns of import and use in excavation~ and discovering how improving quarrying techniques and prelimihary dressing of the extracted material influenced the final shape of artifacts; ancient historians are now under standing quarry organization and bureaucracies that controlled marble production and trade; art historians are seeing how phy sical characteristics of the stone affected the techniques and style of sculpture; architects and engineers are interested in quarry technologies and usage in building construction. These specialists drawn from many disciplines rarely have an opportu nity to compare notes and see how each can contribute to the research effort of others.