The Anti-Pamela is one of several novels written in response to Richardson's novel Pamela, satirizing the innocence of his character Pamela Andrews. You will laugh and marvel at this criticism of the original virtuous, working-class Pamela.

Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue. This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.

The Anti-Pamela is one of several novels written in response to Richardson's novel Pamela, satirizing the innocence of his character Pamela Andrews. You will laugh and marvel at this criticism of the original virtuous, working-class Pamela.

Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue. This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.

A burlesque of Richardson's "Pamela", which was generally ascribed to Fielding at the time of its appearance and held by most authorities to be by him.--Cf. W.L. Cross' "The history of Henry Fielding", v. 1, p. 23, 303-308: Notes & queries, 12th ser. v. 1, p. 24-26.

The Anti-Pamela: Or, Feign'd Innocence Detected (1741) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of gender and class to reveal how women perform and experience desire. Written in response to Samuel Richardson’s Pamela; Or, Virtue Rewarded, a novel in which a young girl resists the advances of her wealthy employer and eventually marries him honorably, Haywood’s novel flips the portrayal of static feminine desire on its head. Unlike Pamela, her protagonist is an anti-heroine who wields her sexuality for the purpose of social mobility, showing resilience and determination despite her repeated failures. Syrena Tricksy knows what she wants from men. To get it, she disguises herself as an unmarried aristocrat, a mistress, a widow, and a libertine, each time in pursuit of a wealthy nobleman to marry. Playing these parts with ease, she frequently gets in her own way, failing at the last moment through carelessness and greed. Resourceful and independent, Syrena is a character at odds with the stereotypical portrayal of feminine sexuality. She may not be perfect, but she is never passive. As a parody of Samuel Richardson’s popular novel of morality, The Anti-Pamela: Or, Feign'd Innocence Detected lampoons the unrealistic character at the heart of Pamela, a woman who gets what she wants through virtue alone. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood’s The Anti-Pamela: Or, Feign'd Innocence Detected is a classic of English literature reimagined for modern readers.