Traces the use of photography in British anthropological expeditions, and discusses the photograph as document

Photography, Anthropology and History examines the complex historical relationship between photography and anthropology, and in particular the strong emergence of the contemporary relevance of historical images. Thematically organized, and focusing on the visual practices developed within anthropology as a discipline, this book brings together a range of contemporary and methodologically innovative approaches to the historical image within anthropology. Importantly, it also demonstrates the ongoing relevance of both the historical image and the notion of the archive to recent anthropological thought. As current research rethinks the relationship between photography and anthropology, this volume will serve as a stimulus to this new phase of research as an essential text and methodological reference point in any course that addresses the relationship between anthropology and visuality.

Historian Amos Morris-Reich here tracks the trajectory of racial photography from 1876 through the Weimar and Nazi periods in Germany and, briefly, after WWII. With a particular focus on German and Jewish contexts, "Race and Photography "reveals the important role of racial photography within academic discourse on race. Photography was not simply a medium of illustration but rather it was a conduit for new forms of visual perception. Approaching the history of racial photography from an epistemic point of view raises questions concerning the similarity and specific difference of photography compared with other scientific media, and makes explicit the scientific and cultural assumptions in which different uses of photography were embedded. Paying particular attention to the effect of photography on concepts of visual perception and also to the intricate relationship between racial photography and the imagination, Morris-Reich examines numerous scientists and scholars, both prominent and obscure, who developed photographic methods for the study of race or made methodical use of photography for its study. His careful reconstruction of individual cases, conceptual genealogies, and emergent patterns points to transformations in the scientific status of photography throughout the late nineteenth and early twentieth centuries and uncovers the agency of photographic media in the history of scientific racism. This work makes a distinctive contribution to the fields of history of science, history of photography, intellectual history, European and Jewish history, and the history of race.

In 1959 nam professor Anceaux, een bekend Nederlands taalkundige, deel aan de laatste Nederlandse expeditie naar het binnenland van Nieuw-Guinea. Anceaux gaf zijn bril aan een Papoea. Expeditieleider Brongersma maakte daar een foto van. Deze foto op de omslag van dit boek, kan opgevat worden als een symbool voor de westerse blik op andere culturen, maar ook hoe die anderen soms geamuseerd terugkeken. Vanaf het vroegste begin van de fotografie heeft het Rijksmuseum voor Volkenkunde te Leiden foto's van mensen en culturen uit de hele wereld verzameld. Ze zijn lang verborgen gebleven in de archieven. In dit boek is nu eindelijk een brede selectie uit de verzameling te zien: zeldzame beelden van niet meer bestaande of inmiddels grondig veranderde culturen. In bondige hoofdstukken schetst auteur en samensteller Linda Roodenburg, bijgestaan door vier gastauteurs, de omstandigheden waarin de opnamen gemaakt zijn. De koloniale verhoudingen, het antropologisch onderzoek, het exploiteren van exotische aantrekkingskracht, en de veranderende kijk op 'vreemde' volken. De tientallen paginagrote afbeeldingen spreken eigenlijk ook al voor zich zelf.