Anthropological Realism is a new theory of ethics that transforms static moral principles into global normative ideals. Two prominent weaknesses in the field provide the rationale for this book. First, as a discipline, ethics lacks a strong theoretical basis. A second concern is moral parochialism. Technologies are global, but international perspectives rarely reflect an ethics anchored in humanity as a whole. Progress in developing a moral globalism as the basis for ethics has been prevented by unproductive dualisms that lead to stalemates. Ethics is typically divided into opposites such as individual and society, consequentialism and deontology, and local and global. To deal constructively with this history of unproductive disputes, the book focuses on a fundamental rivalry in philosophical ethics—the opposition between realism and anti-realism. To move the field forward, the authors create a next-generation moral theory of hybrid moral realism that promotes a sustainable global ethics of humaneness and human flourishing.

Realism has become a dirty word in some social sciences, yet, despite fashionable new approaches involving multiple ontologies and the like, when anthropologists actually produce ethnographic accounts they are, still, indulging in realism in some form. Perhaps this is why ethnography, too, is unfashionable. Given the authors’ background as anthropologists committed to fieldwork, this book provides a theoretical grounding to justify and explain the sorts of accounts that anthropologists produce as the result of ethnographic research. The book’s approach starts from an acceptance that understanding is always incomplete, always improvable. This sort of partiality is viewed throughout the book as a strength. The challenge of anthropology is that it involves forms of translation: often across languages, but always between the unstated and the explicit. Accepting provisionality and incompleteness in the resulting translations provides ways of finding a middle ground between extreme versions of positivism and relativism. As such, this book argues for moderate realisms in a dappled world.

Few literary phenomena are as elusive and yet as persistent as realism. While it responds to the perennial impulse to use literature to reflect on experience, it also designates a specific set of literary and artistic practices that emerged in response to Western modernity. Landscapes of Realism is a two-volume collaborative interdisciplinary exploration of this vast territory, bringing together leading-edge new criticism on the realist paradigms that were first articulated in nineteenth-century Europe but have since gone on globally to transform the literary landscape. Tracing the manifold ways in which these paradigms are developed, discussed and contested across time, space, cultures and media, this first volume tackles in its five core essays and twenty-five case studies such questions as why realism emerged when it did, why and how it developed such a transformative dynamic across languages, to what extent realist poetics remain central to art and popular culture after 1900, and how generally to reassess realism from a twenty-first-century comparative perspective.

Social and Cultural Anthropology: the Key Concepts is an easy to use A-Z guide to the central concepts that students are likely to encounter in this field. Now fully updated, this third edition includes entries on: Material Culture Environment Human Rights Hybridity Alterity Cosmopolitanism Ethnography Applied Anthropology Gender Cybernetics With full cross-referencing and revised further reading to point students towards the latest writings in Social and Cultural Anthropology, this is a superb reference resource for anyone studying or teaching in this area.

Les arrels del realisme màgic en els escrits de Borges i altres autors d'Amèrica Llatina han estat àmpliament reconeguts i ben documentades produint una sèrie d'estudis crítics, molts dels quals figuren en la bibliografia d'aquest treball. Dins d'aquest marc, aquest llibre presenta als lectors una varietat d'escriptores de grups ètnics, conegudes i menys conegudes, i les col·loca en un context literari en el que es tracten tant a nivell individual com a escriptores així com a nivell col·lectiu com a part d'un moviment artístic més ampli. Aquest llibre és el resultat del treball realitzat a les universitats de Sheffield i la de València i representa una valuosa investigació i una important contribució als estudis literaris.

This handbook is one of the first comprehensive research and teaching tools for the developing area of global media ethics. The advent of new media that is global in reach and impact has created the need for a journalism ethics that is global in principles and aims. For many scholars, teachers and journalists, the existing journalism ethics, e.g. existing codes of ethics, is too parochial and national. It fails to provide adequate normative guidance for a media that is digital, global and practiced by professional and citizen. A global media ethics is being constructed to define what responsible public journalism means for a new global media era. Currently, scholars write texts and codes for global media, teach global media ethics, analyse how global issues should be covered, and gather together at conferences, round tables and meetings. However, the field lacks an authoritative handbook that presents the views of leading thinkers on the most important issues for global media ethics. This handbook is a milestone in the field, and a major contribution to media ethics.

An investigation into what makes the consistency of political groupings What should we do with the ideals of internationalism, the withering away of state and horizontality? Probably start by thinking seriously about them. That is to say, about their conditions of possibility (or impossibility), rather than sticking to the wishful thinking which believes that for them to happen it is enough to want them. Humanity exists neither as a dust cloud of separate individuals nor as a unified world political community. It exists fragmented into distinct finite wholes, the forms of which have varied considerably throughout history - the nation-state being only one among many, and certainly not the last. What are the forces that produce this fragmentation, engender such groupings and prevent them from being perfectly horizontal, but also lead them to disappear, merge, or change form? It is questions such as these that this book explores, drawing on Spinoza's political philosophy and especially his two central concepts of multitudo and imperium.